___

I am posting this blog post today from a hospital bed!!!!

I read Matthew Perry’s autobiography and finished it in in early October of 2023. I was walking 3 miles a day and considered my prospects at age 62 very good to live for many more years, but that all changed from October 27-30, and I was spending my time on my back at a local hospital learning that I have cancer.

Got some bad news on 11-17-23 that my PET SCAN found a lot of cancer in my liver too which puts me in stage 4 pancreatic cancer and a life expectancy of 6 months and with possible success from chemotherapy treatments my life may be extended up to 2 years with 5% chance of 5 years. Need all the prayer partners I can get so feel free to tell others!!!

I really enjoyed reading this autobiography of Matthew Perry, and it reminded me of the character Ricky Gervais plays in AFTERLIFE named Tony. I wish Matthew had read the Book of Ecclesiastes because many of the things he thought would bring his life satisfaction are the same empty pursuits that Solomon explored 3,000 years ago.

Page 116

JUST LIKE SOLOMON HE HAD EVERYTHING UNDER THE SUN BUT DRUGS AND ALCOHOL WERE NOT THE ANSWER

One day during shooting there had been a bunch of people in the background on Lake Mead on Jet Skis, and I asked if I could ride one during the lunch break. But this was the start of the movie, and I was told it was too dangerous. But everything back then was a yes … so I just said, “Erm, you have to say yes to that.” So, I headed out onto Lake Mead. The sun was high; the blue water crackled like a flame. As I zoomed around on the Jet Ski, in the distance I could see the Hoover Dam, where the climax of the movie would be shot, and Mount Wilson hovering over everything like a warning. But everything in my life was perfect. I had the most beautiful, famous woman in the world as my girlfriend; I was on the number one TV show in America; I was making a lot of money shooting a movie that could only be a number one box-office smash. I revved that Jet Ski hard, feeling the loose-soft connection to the water, turning this way and that, the chop bumping me up and down on the seat, my right hand turning and turning and turning, pushing that machine to its limit. And then I turned the Jet Ski hard right, but my body went straight on. I was airborne, and then I was not airborne. Once I surfaced, I looked back to where I’d started, and there stood forty people on the shoreline, the entire crew, who had been watching me risk the entire movie, and who now all dove into Lake Mead to get me. When I got back to shore, I knew I was hurt. That night, there was a big scene to shoot—the birth-of-the-baby scene, the key moment—and I had to be right for it. But everything was hurting; I had especially fucked up my neck. The crew knew I was struggling, so they called a doctor, who came by my trailer and handed me a single pill in a plastic package. “Take this when you’re done,” the doctor said. “Everything will be fine.” I stashed that pill in my pocket, and I swear to God I think if I’d never taken it, none of the next three decades would have gone the way they did. Who knows? I just know it was really bad.

My character in Fools Rush In is a real estate developer who drives a red Mustang. The scene that night went on and on, but just before dawn we wrapped. I could sense the sun edging closer to the horizon. “Hey, can I drive that Mustang home to Vegas, do you think?” I asked. I’m amazed, after the Jet Ski debacle, that they said yes to anything right then. But they did. The first light of that Nevada day was creeping over Mount Wilson when I left the lot. I put the top down of that Mustang and swallowed the pill. I thought about Julia; I thought about flying across Lake Mead, not a care in the world. I thought about my childhood, but it didn’t hurt, not then. As the pill kicked in, something clicked in me. And it’s been that click I’ve been chasing the rest of my life. I thought about fame and Craig Bierko and the Murray brothers and Friends. The summer was coming up, all pink cirrus clouds and soft, desert air. This was my pink sky. I felt so good that if a locomotive hit me,

decided to party in Cape Cod with the Murray brothers. I have no idea why I chose Cape Cod, or why the Murray brothers came with me. I imagined it was just a new place to barhop. It was there that I noticed that something had changed, though—a new dynamic was at play. Girls were coming up and talking to me; the days of nervously approaching women with mediocre lines were over. I just stood in a corner, a vodka tonic in hand, and they came to me. None of them were Julia Roberts, though.

65 times detoxed

were Julia Roberts, though. I’ve detoxed over sixty-five times in my life—but the first was when I was twenty-six. My Vicodin habit had now kicked in badly. If you watch season three of Friends, I hope you’ll be horrified at how thin I am by the end of the season (opioids fuck with your appetite, plus they make you vomit constantly). In the final episode, you’ll see that I’m wearing a white shirt, and tan slacks, and both look at least three sizes too big for me. (Compare this to the difference in how I look between the final episode of season six and the first of season seven—the Chandler-Monica proposal episodes. I’m wearing the same clothes in the final episode of six and the first of seven [it’s supposed to be the same night], but I must have lost fifty pounds in the off-season. My weight varied between 128 pounds and 225 pounds during the years of Friends.) You can track the trajectory of my addiction if you gauge my weight from season to season—when I’m carrying weight, it’s alcohol; when I’m skinny, it’s pills. When I have a goatee, it’s lots of pills.

https://nypost.com/2022/11/08/matthew-p

Matthew Perry: I ‘was so dead inside’ during ‘Friends’ finale, I ‘felt nothing’

Matthew Perry bluntly described his numbness from his addiction in his bombshell memoir “Friends, Lovers and the Big Terrible Thing,” which came out last week, as feeling “dead inside.”

He recalled the finale of “Friends,” poignantly named “The Last One,” when the iconic group of six were in Monica Geller’s apartment for the very last time. She and Chandler Bing, played by Perry, had their baby twins in tow, and the cast came together for a heartstring-pulling group hug before dropping their keys on the counter and closing the door.

_

Johnny Cash – God’s Gonna Cut You Down

Johnny Cash’s version of the traditional God’s Gonna Cut You Down, from the album “American V: A Hundred Highways”, was released as a music video on November 9 2006, just over three years after Cash died. Producer Rick Rubin opens the music video, saying, “You know, Johnny always wore black. He wore black because he identified with the poor and the downtrodden…”. What follows is a collection of black and white clips of well known pop artists wearing black, each interacting with the song in their own way. Some use religious imagery. Howard sits in his limo reading from Ezekiel 34, a Biblical passage warning about impending judgment for false shepherd. Bono leaning on a graffiti-filled wall between angel’s wings and a halo, pointing to the words, “Sinners Make The Best Saints. J.C. R.I.P.” A number of artists wear or hold crosses.

Artists appear in this order: Rick Rubin, Iggy Pop, Kanye West, Chris Martin, Kris Kristofferson, Patti Smith, Terence Howard, Flea (Red Hot Chili Peppers), Q-Tip, Adam Levine (Maroon 5), Chris Rock, Justin Timberlake, Kate Moss, Sir Peter Blake (Sgt Peppers Artist), Sheryl Crow, Denis Hopper, Woody Harrelson, Amy Lee of Evanescence, Tommy Lee, Natalie Maines, Emily Robison, Martie Maguire (Dixie Chicks), Mick Jones, Sharon Stone, Bono, Shelby Lynne, Anthony Kiedis, Travis Barker, Lisa Marie Presley, Kid Rock, Jay Z, Keith Richards, Billy Gibbons, Corinne Bailey Rae, Johnny Depp, Graham Nash, Brian Wilson, Rick Rubin and Owen Wilson. The video finishes with Rick Rubin traveling to a seaside cliff with friend Owen Wilson to throw a bouquet of flowers up in the air.

March 16, 2019

Patricia Arquette

Beverly Hills, CA 90212-2605
USA

Dear Patricia,

I understand that you are Jewish. If Johnny Cash was here today, I bet he would share something like this below from the scriptures. Johnny was a student of the whole Bible. He wrote the book THE MAN IN WHITE about the apostle Paul and it took him 10 years to write and in that book you can tell that he spent much time in research asking Jewish leaders what life was like for the Jews in the 1st century in Palestine while being occupied by the Romans.

I know that you will spending lots of time in the scriptures and I wanted to share with you some key scriptures that talk about the Messiah. Patrick Zukeran of Probe Ministries wrote the article below:

Liar, Lunatic, or Lord?

A serious study of the Gospels leads a person to one of three conclusions about Jesus: He was (1) an evil lying villain, (2) a preposterously deluded madman, or (3) the Messiah, the Son of God. It is ludicrous for anyone who has studied His life to take the position that He was simply a good teacher. Only one of the three conclusions is a logical possibility.

Jesus made some outrageous claims no ordinary person would dare to make. First, He claimed to be God. His statements of equality with God meant He believed that He possessed the authority, attributes, and adoration belonging to God. He proclaimed authority over creation, forgiveness of sins, and life and death. He declared to possess the attributes of God. He emphatically stated that He was the source of truth and the only way to eternal life. Only Jesus among the significant leaders of history made such claims.

Here are a few of His outrageous claims. When “Philip said, Lord, show us the Father.’ Jesus answered. . . .Anyone who has seen me has seen the Father’” (John 14:8-9). Once, when the Pharisees were disparaging Jesus and challenging Him, Jesus responded, ” I and the Father are one.’ Again the Jews picked up stones to stone Him, but Jesus said to them, I have shown you many great miracles from the Father. For which of these do you stone me?’ We are not stoning you for any of these,’ replied the Jews, but for blasphemy, because you, a mere man, claim to be God’” (John 10:30-33). It is clear in these two statements, Jesus claimed to be God. His opponents clearly understood His declaration of equality with God.

When challenged by the scholars on His authority over Abraham, the father of the Jews, Jesus replied, “Your father Abraham rejoiced at the thought of seeing my day; he saw it and was glad.’ The Jews said to Him, You are not yet fifty years old, and you have seen Abraham!’ I tell you the truth,’ Jesus answered, before Abraham was born, I am!’” (John 8:56-58). Jesus clearly believed He had existed two thousand years earlier and knew Abraham.

On the issue of life and death Jesus stated, “I am the resurrection and the life. He who believes in me will live, even though he dies” (John 11:25). Here He believed He had authority over life and death.

Finally, Jesus accepted and encouraged others to worship Him. Throughout the Gospels the disciples worshiped Jesus as seen in Matthew 14:33 and John 9:38. Jesus states in John 5:22-23, “Moreover, the Father judges no one but has entrusted all judgment to the Son, that all may honor the Son just as they honor the Father. He who does not honor the Son does not honor the Father, who sent Him.” Jesus knew the Old Testament command “Worship the Lord your God, and serve Him only” (Matt. 4:10). Despite this, Jesus encouraged others to worship Him. Either He was mad (insane), or He was who He claimed to be and deserves our worship as God incarnate.

After reading such claims, it is impossible for anyone to say He was merely a good teacher. A man making claims like these must either be a diabolical liar, insane, or God incarnate. For the remainder of this essay we will be discussing which of these conclusions is most plausible.

A Villain, A Madman, or God Incarnate?

We have established at this point that Jesus made some astounding claims about himself. He presumed to be God, claimed the authority and attributes of God, and encouraged others to worship Him as God. If, however, Jesus was a liar, then He knew His message was false but was willing to deceive thousands with claims He knew were untrue. That is, Jesus knew that He was not God, He did not know the way to eternal life, and He died and sent thousands to their deaths for a message He knew was a lie. This would make Jesus history’s greatest villain (and perhaps, a demon) for teaching this wicked lie. He would have also been history’s greatest fool for it was these claims that lead Him to His death.

Few, if any, seriously hold to this position. Even the skeptics unanimously agree that He was at least a great moral teacher. William Lecky, one of Britain’s most respected historians and an opponent of Christianity writes, “It was reserved for Christianity to present the world an ideal character which through all the changes of eighteen centuries has inspired the hearts of men with an impassioned love.”{1}

However, it would be inconsistent and illogical to believe that Jesus was a great moral teacher if some of those teachings contained immoral lies about himself. He would have to be a stupendous hypocrite to teach others honesty and virtue and all the while preach the lie that He was God. It is inconceivable to think that such deceitful, selfish, and depraved acts could have issued forth from the same being who otherwise maintained from the beginning to the end the purest and noblest character known in history.

Since the liar conclusion is not logical, let us assume He really believed He was God but was mistaken. If He truly believed He had created the world, had seen Abraham two thousand years before, and had authority over death, and yet none of this was true, we can only conclude that He was mad or insane.

However, when you study the life of Jesus, He clearly does not display the characteristics of insanity. The abnormality and imbalance we find in a deranged person are not there. His teachings, such as the Sermon on the Mount, remain one of the greatest works ever recorded. Jesus was continually challenged by the Pharisees and lawyers, highly educated men whose modern day equivalent would be our university professors. They were fluent in several languages and were known for their scholarship of the Old Testament and Jewish law. They challenged Jesus with some of the most profound questions of their day and Jesus’ quick answers amazed and silenced them. In the face of tremendous pressure, we find He exemplified the greatest composure.

For these reasons, the lunatic argument is not consistent. If both the liar and the lunatic options are not consistent with the facts, we must take a serious look at the third option: that Jesus was really God. The next question is, does He prove to have the credentials of God? Let us investigate this possibility.

Messianic Prophecy

Thus far we have learned that Jesus is unique among all men for the profound statements He made about His divinity. We concluded that it is impossible to state He was simply a good moral teacher. From His amazing statements, He must be a liar, a lunatic, or God. Since the first two were not conceivable, we will begin looking at the third alternative, that He really is God. First, we must see if He had the credentials for these claims.

One of the most incredible types of evidence is the testimony of prophecy. The Old Testament contains a number of messianic prophecies made centuries before Christ appeared on the earth. The fact that He fulfilled each one is powerful testimony that He was no ordinary man. Allow me to illustrate this point using eight prophecies.

• Genesis 12:1-3 states the Messiah would come from the seed of Abraham.

• Genesis 49:10 states that He would be of the tribe of Judah.

• 2 Samuel 7:12 states that Messiah would be of the line of King David.

• Micah 5:2 states that He would be born in the city of Bethlehem.

• Daniel 9:24 states He would die or be “cut off” exactly 483 years after the declaration to reconstruct the temple in 444 B.C.

• Isaiah 53 states that the Messiah would die with thieves, then be buried in a richman’s tomb.

• Psalm 22:16 states upon His death His hands and His feet would be pierced. This is quite significant since Roman crucifixion had not been invented at the time the Psalmist was writing.

• Isaiah 49:7 states that Messiah would be known and hated by the entire nation. Not many men become known by their entire nation, and even less are despised by the entire nation.

Now calculate the possibility of someone fulfilling these by coincidence. Let us suppose you estimate there is a one in a hundred chance a man could fulfill just one of these prophecies by chance. That would mean when all eight are put together there is a 1/10 to the 16th power probability that they were fulfilled by chance. Mathematician Peter Stoner estimates 1/10 to the 17th power possibility that these prophecies were fulfilled by chance.{2} Mathematicians have estimated that the possibility of sixteen of these prophecies being fulfilled by chance are about 1/10 to the 45th power.{3} That’s a decimal point followed by 44 zeroes and a 1! These figures show it is extremely improbable that these prophecies could have been fulfilled by accident. The figures for fulfillment of the 109 major prophecies are staggering.{4}

Skeptics have objected to the testimony of prophecy, stating they were written after the times of Jesus and therefore fulfill themselves. However, the evidence overwhelmingly shows these prophecies were clearly written centuries before Christ. It is an established fact even by liberal scholars that the Old Testament canon was completed by 450 B.C. The Septuagint, the Greek translation of the Old Testament, was completed in the reign of Ptolemy Philadelphus in 250 B.C. The Dead Sea Scrolls discovered in 1948 contained the books of the Old Testament. Prophetic books like Isaiah were dated by paleographers to be written in 100 B.C.{5} Once again, these prophecies were confirmed to have been written centuries before Christ, and no religious leader has fulfilled anything close to the number of prophecies Jesus has fulfilled.

Notes
1. William Lecky, History of European Morals from Augustus to Charlemagne (New York: D.Appleton and Company, 1903), p. 8.
2. Josh McDowell, Evidence That Demands a Verdict (San Bernadino, Calif.: Here’s Life Publishers, 1979), p. 167.
3. Norman Geisler, When Skeptics Ask (Wheaton, Ill.:Victor Press, 1990), p. 116.
4. Tim LaHaye, Jesus, Who is He? (Sisters, Ore.: Multnomah Books, 1996), p. 176.
5. Norman Geisler and William Nix, A General Introduction to the Bible (Chicago: Moody Press, 1986), pp. 365-66.
6. Peter Carsten Theide and Matthew D’Ancona, Eyewitness to Jesus (New York: Doubleday, 1996), p. 163.
7. Anonymous, “One Solitary Life,” quoted in Tim LaHaye, Jesus, Who is He?, p. 68.

Bibliography

1. Craig, William Lane. Apologetics: An Introduction. Chicago: Moody Press, 1984.

2. Geisler, Norman. When Skeptics Ask. Wheaton, Ill.: Victor Press, 1990.

3. Geisler, Norman, & Nix, William. A General Introduction to the Bible. Chicago: Moody Press, 1986.

4. Hume, David. An Enquiry Concerning Human Understanding. Oxford, England: Clarendon Press, 1902.

5. LaHaye, Tim. Jesus, Who Is He? Sisters, Ore.: Multnomah Books, 1996.

6. Lecky, William. History of European Morals from Augustus to Charlemagne. New York: D. Appleton and Co., 1903. Page 8.

7. Lewis, C. S. Miracles. New York: Macmillan Publishing, 1960.

8. Little, Paul. Know Why You Believe. Downers Grove, Ill.: InterVarsity Press, 1988.

9. Nash, Ronald. Faith and Reason. Grand Rapids, Mich.: Zondervan Publishing, 1988.

10. McDowell, Josh. Evidence That Demands a Verdict. San Bernadino, Calif.: Here’s Life Publishers, 1979.

11. Stott, John. Basic Christianity. Downers Grove, Ill.: Inter Varsity Press, 1971.

12. Theide, Peter Carsten, and D’Ancona, Matthew. Eyewitness to Jesus. New York: Doubleday, 1996.

13. Walvoord, John. Prophecy Knowledge Handbook. Wheaton, Ill.: Victor Press, 1990.

©2000 Probe Ministries.

About the Author

Patrick Zukeran is a Hawaii-based research associate with Probe Ministries. He has a B.A. in Religion from Point Loma Nazarene University, a Th.M. from Dallas Theological Seminary, and a D.Min. from Southern Evangelical Seminary. He is an author, radio talk show host, and a national and international speaker on apologetics, cults, world religions, Bible, theology, and current issues. His nationally syndicated radio talk show “Evidence and Answers” is broadcast on the KTLW Network (covering the West Coast), through all of Asia (through World Harvest Radio), and on the web at evidenceandanswers.org. Before joining Probe, Pat served for twelve years as an Associate Pastor. He can be reached at pzukeran@probe.org.

What is Probe?

Probe Ministries is a non-profit ministry whose mission is to assist the church in renewing the minds of believers with a Christian worldview and to equip the church to engage the world for Christ. Probe fulfills this mission through our Mind Games conferences for youth and adults, our 3-minute daily radio program, and our extensive Web site at www.probe.org.

Further information about Probe’s materials and ministry may be obtained by contacting us at:

Probe Ministries
2001 W. Plano Parkway, Suite 2000
Plano TX 75075
(972) 941-4565

You and I have something in common and it is the song GOD’S GONNA CUT YOU DOWN. You were in the video and my post about that video entitled, People in the Johnny Cash video “God’s Gonna Cut You Down” is the most popular post I have done in recent years. It ranked #1 for all of 2015 and I have over 1,000,000 hits on my http://www.thedailyhatch.org blog site. The ironic thing is that I never knew what a big deal Johnny Cash was until he had died. I grew up in Memphis with his nephew Paul Garrett and we even went to the same school and church. Paul’s mother was Johnny Cash’s sister Margaret Louise Garrett.

Stu Carnall, an early tour manager for Johnny Cash, recalled, “Johnny’s an individualist, and he’s a loner….We’d be on the road for weeks at a time, staying at motels and hotels along the way. While the other members of the troupe would sleep in, Johnny would disappear for a few hours. When he returned, if anyone asked where he’d been, he’d answer straight faced, ‘to church.'”

Have you ever taken the time to read the words of the song?

• American singer and civil rights activist Odetta recorded a traditional version of the song. Musician Sean Michel covered the song during his audition on Season 6 of American Idol. Matchbox Twenty also used the song before playing “How Far We’ve Come” on their “Exile in America” tour.

• The New Jersey rock band The Gaslight Anthem have also covered the song.^{[citation needed]} Canadian rock band Three Days Grace has used the song in the opening of their live shows, as well as the rock band Staind . Bobbie Gentry recorded a version as “Sermon” on her album The Delta Sweete. Guitarist Bill Leverty recorded a version for his third solo project Deep South, a tribute album of traditional songs. Tom Jones recorded an up-tempo version which appears on his 2010 album Praise & Blame. Pow woW recorded a version with the Golden Gate Quartet for their 1992 album Regagner les Plaines and performed a live version with the quartet in 2008. A cover of the song by Blues Saraceno was used for the Season 8 trailer of the TV series Dexter. Pedro Costarecorded a neo-blues version for the Discovery channel TV show Weed Country (2013). Virginia based folk rock band Carbon Leaf covered the song many times during their live shows.

• Chart positions[edit]

  Moby version: “Run On”[edit]

  Chart (1999)	Peak position
  UK Singles Chart	33

  Johnny Cash version[edit]

  Chart (2006)	Peak position
  UK Singles Chart	77

• 

• American Idol contestant ministers in Chile

  by Tristan Taylor, posted Wednesday, August 18, 2010 (5 years ago)
• SANTIAGO, Chile (BP)–Sean Michel smiled through his distinctive, foot-long beard as he slid the guitar strap over his shoulder and greeted the crowd at El Huevo nightclub with what little Spanish he knows. The former American Idol contestant and his band then erupted into the sounds of Mississippi Delta blues-rock.But unlike other musicians who played that night, the Sean Michel band sang about every person’s need for God and the salvation that comes only through faith in Jesus Christ.”We came down [to Chile] to open doors that other ministries couldn’t,” said Jay Newman, Michel’s manager. “To get in places that only a rock band could — to create a vision for new church-planting movements among the underground, disenfranchised subcultures of Chile.”The Sean Michel band recently traveled through central Chile playing more than 15 shows in bars, churches, schools and parks. The group consists of Southern Baptists Sean Michel, lead singer; Alvin Rapien, lead guitarist; Seth Atchley, bass guitarist; and Tyler Groves, drummer.”Although we’re a blues rock ‘n’ roll band, we’re an extension of the church,” Michel said. “We’re kind of like ‘musicianaries,’ if you will.”MISSIONS-MINDED MUSICIANSThe band formed after Michel and Newman met as students at Ouachita Baptist University in Arkadelphia, Ark. While there, the two began recording and selling Michel’s music as a way to raise money for mission trips to Africa and Asia.”We were just trying to raise money for a mission trip, but we’d also seen God speaking to people through the music,” Michel said. “So we were like, ‘Well, maybe we need to do something with this,’ and we became a music ministry. But it’s always been rooted in missions and … in the Great Commission.”Michel graduated from Ouachita in 2001, Newman in 2004. In 2007, Newman talked Michel into auditioning for American Idol. The exposure Michel received through the television show gained a wider audience for their ministry.”The whole American Idol thing was so weird,” Michel said. “We just kind of went on a whim. But the Lord used it in a big way.”During his tryout, Michel belted out a soulful rendition of Johnny Cash’s “God’s Gonna Cut You Down.” The video of the audition went viral on the Internet.Soon he was doing radio interviews in which he identified himself as a Christian and directed listeners to the band’s Gospel-laden MySpace page. On their next mission trip to Asia, Michel and Newman found that being recognizable gave them access to venues they couldn’t have entered before.The band is now an official extension of First Southern Baptist Church of Bryant, Ark., where the musicians have long been active members serving in the music and youth ministries. Every mission trip they have taken has involved working with International Mission Board (IMB) missionaries.”We’re Southern Baptist,” Michel said. “That’s who we roll with.”TOUR DE FAITH”With short-term mission trips, you can plan, but you just got to be willing for your plans to change,” said Michel. When the band arrived in Chile, they were surprised to find that their schedule wasn’t nearly as full as expected. Almost no public venues had booked shows, and many rock-wary churches had declined to host the band.”The biggest barrier we had was the pastors,” said Cliff Case, an IMB missionary in Santiago, Chile, and a 1984 graduate of Ouachita Baptist. “The older pastors on two or three different occasions gave excuses for not doing it. It was a real frustration in that sense.”Disappointed by the lack of interest, the band prayed for God’s help. They met Jose Campos — or Pépe, as the band came to know him. Campos works with music and youth for the Ministry of the Down and Out, an independent Christian ministry that seeks to reach the often-overlooked demographics of Santiago.Campos was able to use his connections to book shows for the band in venues they wouldn’t have known about otherwise.”Had we met Pépe (Campos) two or three weeks before the group came, there’s no telling how many shows we might have done,” said Case, who met Newman at Ouachita when Case and his wife, Cinthy, were missionaries-in-residence there.Campos booked the show at El Huevo, possibly Chile’s most popular club. Playing there has given the band musical credibility among Chilean rockers. And, one Chilean church reported that a youth accepted Christ after hearing Newman talk before a show. The band already is contemplating a return tour next year.OPENING NEW DOORSSharing the Gospel through their songs is only the beginning for the Sean Michel band. Their vision is to be a catalyst to help churches — and missionaries — connect with the lost people of their communities.”God is not saving the world through rock bands,” Michel said. “He’s saving the world through the church. And it will always be through the local body.”The band wants to see churches take ministry beyond the church doors.

  “If you’re going to want to legitimately reach lost people, you’re going to have to get out,” Michel said. “Go out into the dark places. Those are the places we need to be to reach out.”

  The band’s ministry in Chile opened new doors for IMB missionaries to reach the young, musical subculture of Chilean society.

  “They laid the groundwork for more opportunities,” Case said. “Now we have a network of who to talk to and how to get organized. We can focus on how to use the work they’re doing so we can win people to the Lord and plant some churches.”

  ---

  Tristan Taylor is an International Mission Board writer living in the Americas.

Having shown work at New York’s MoMA PS1 and Amsterdam’s Foam museum, Daniel Gordon is know for the vibrant and often-perplexing documentation of his working practice. Here, a new film by Art21, known for its flagship PBS series Art in the Twenty-First Century, which this season will be hosted by actress Claire Danes, takes us into Gordon’s studio—a door away from where his artist wife works. Read more on NOWNESS – http://bit.ly/2a4IFnG
___

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Daniel Gordon (artist)

From Wikipedia, the free encyclopedia

Daniel Gordon (born 1980 in Boston, Mass.) is an American artist who lives and works in Brooklyn, New York.

Contents

[hide]

• 1Life and work
• 2Education
• 3Images
• 4External links
• 5References

Life and work[edit]

Gordon is best known for producing large color photographs that operate somewhere between collage and set-up photography. His work, as described by the New York Times, “Involves creating figurative tableaus from cut paper and cut-out images that Mr. Gordon then photographs. In addition, he seems motivated by a deeply felt obsession with the human body and the discomforts of having one.”^[1]

He has exhibited his work in solo exhibitions at Zach Feuer Gallery,^[2] Wallspace,^[3] and Leo Koenig, Inc., Projekte^[4] in New York City and Claudia Groeflin Gallery in Zürich, Switzerland.^[5] Gordon has been included in exhibitions at the Museum of Modern Art,^[6] the Saatchi Gallery^[7] in London, Gallery 400 at the University of Illinois, and he was included in MoMA PS1‘s^[8] Greater New York 2010. He is the author of Portrait Studio (onestar press, 2009)^[9] and Flying Pictures (powerHouse books, 2009).^[10] His work is in the collection of the Museum of Modern Art,^[11] New York. Gordon was a guest lecturer at Sarah Lawrence College in 2009.

Education[edit]

• 2004-2006 Yale School of Art, Master of Fine Arts, New Haven, CT
• 1999-2004 Bard College, Annandale-on-Hudson, NY

Images[edit]

• Nude Portrait. 2008
• Red Headed Woman. 2008

External links[edit]

• Daniel Gordon – Website
• Daniel Gordon – Triple Canopy
• New York Close Up – Art21 made a short film about Daniel Gordon in 2013

References[edit]

1. Jump up^ Roberta Smith, Daniel Gordon: A World of Scissors and Paper That’s Captured in Photographs, The New York Times, June 30, 2007
2. Jump up^ Zach Feuer Gallery, NYC
3. Jump up^ Wallspace, NYC
4. Jump up^ Leo Koenig, Inc., Projekte
5. Jump up^ Claudia Groeflin Gallery, Zurich
6. Jump up^ Vince Aletti, Critics Notebook, The New Yorker, November 2, 2009
7. Jump up^ Saatchi Gallery, London
8. Jump up^ MoMA PS1
9. Jump up^ onestar press, Paris
10. Jump up^ powerHouse Books
11. Jump up^ Museum of Modern Art, New York

Categories:

• American contemporary artists
• 1980 births
• Living people
• American photographers

___

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This article is about the song by Johnny Horton. For the film, see Sink the Bismarck! For other uses, see Sink the Bismarck (disambiguation).

“Sink the Bismark” (later “Sink the Bismarck“) is a march song by American country music singer Johnny Horton and songwriter Tillman Franks, based on the pursuit and eventual sinking of the Germanbattleship Bismarck in May 1941, during World War II. Horton released this song through Columbia Records in 1960, when it reached #3 on the charts. As originally released, the record label used the common misspelling “Bismark”; this error was corrected for later releases of the song. It was inspired by the 1960 British war movie Sink the Bismarck! and was in fact (with the producer John Brabourne‘s approval) commissioned from Johnny Horton by 20th Century Fox who were worried about the subject’s relative obscurity in the United States. For some reason the size comparisons of guns and shells are switched. While the song was used in U.S. theater trailers for the film, it was not used in the film itself.

“Sink the Bismark (Sink the Bismarck)”
The photo on the “45” Columbia record jacket is from the movie, but depicts the model of HMS Prince of Wales made for the movie. The models made for this movie are closely modeled after their real-life counterparts.
Single by Johnny Horton
B-side	“The Same Old Tale the Crow Told Me”
Released	1960
Genre	Country, Novelty
Length	3:12
Label	Columbia
Songwriter(s)	Johnny Horton and Tilman Franks
Producer(s)	Don Law[1]
Johnny Horton singles chronology
“Sal’s Got a Sugar Lip” (1959) “Sink the Bismark (Sink the Bismarck)” (1960) “Johnny Freedom” (1960)

Chart performanceEdit

Chart (1960)	Peak position
U.S. Billboard Hot C&W Sides[2]	6
U.S. Billboard Hot 100[3]	3
Canadian CHUM Chart [4]	1

Blues Brothers recordingEdit

The song was later recorded by The Blues Brothersfor a scene in the movie, The Blues Brothers, but was cut out.^[5]

Cover versionsEdit

• In the UK the song was a hit for Don Lang also in 1960, where it peaked at #43.^[6]

Bernie Taupin wrote in the first chapter of his autobiography:

Johnny Horton was the first artist who had cut through the pabulum churned out on the BBC. Songs like “North to Alaska,” “The Battle of New Orleans,” and “Sink the Bismarck” were narratives that stood out among the bland pop dreck that made up the majority of the typical playlists. The life changer, though, was Marty Robbins’s bittersweet cowboy ballad “El Paso.” This was the blue touch paper and led to his 1959 album Gunfighter Ballads and Trail Songs, which became the first album I ever owned. It remains to this day the single most influential record of my early years before The Band’s Music from Big Pink encouraged me to follow my instincts in 1968. When it came to the crunch, I knew I wanted to write stories.

———-

For other uses, see Battle of New Orleans (disambiguation).

“The Battle of New Orleans” is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music.

“The Battle of New Orleans”
Single by Johnny Horton
B-side	“All for the Love of a Girl”
Released	April 6, 1959
Recorded	1959
Genre	Country novelty[1] march[1]
Length	2:33
Label	Columbia
Songwriter(s)	Jimmy Driftwood
Producer(s)	Don Law
Johnny Horton singles chronology
“When It’s Springtime in Alaska (It’s Forty Below)” (1959) “The Battle of New Orleans” (1959) “Johnny Reb” (1959)

Horton’s version began with the quoting of the first 12 notes of the song “Dixie,” by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.

In Billboard magazine’s rankings of the top songs in the first 50 years of the Billboard Hot 100 chart, “The Battle of New Orleans” was ranked as the 28th song overall^[2] and the number-one country music song to appear on the chart.^[3]

Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.^[4]

HistoryEdit

The melody is based on a well-known American fiddle tune “The 8th of January,” which was the date of the Battle of New Orleans. Jimmy Driftwood, a school principal in Arkansas with a passion for history, set an account of the battle to this music in an attempt to get students interested in learning history.^[5] It seemed to work, and Driftwood became well known in the region for his historical songs. He was “discovered” in the late 1950s by Don Warden, and eventually was given a recording contract by RCA, for whom he recorded 12 songs in 1958, including “The Battle of New Orleans.”^[6]“The Battle of New Orleans” is often played during North American sporting events.

Chart performanceEdit

Weekly chartsEdit Chart (1959) Peak position Australian Singles Chart 1 Canadian CHUM Chart[7] (7 weeks at #1) 1 U.K. Singles Chart 16 Italian Singles Chart 20 U.S. Billboard Hot Country Singles[8] 1 US Billboard Hot 100[9] 1 U.S. Cash Box Top 100[10] 1

Year-end chartsEdit Chart (1959) Position U.S. Billboard Hot 100 1 U.S. Cash Box [11] 2 South Africa (Springbok)[12] 17 All-time chartsEdit Chart (1958–2018) Position US Billboard Hot 100[13] 37

Other versionsEdit

Covers and remakesEdit

Johnny Horton’s 1959 version is the best-known recording of the song, which omits the mild expletives and many of the historical references of the original. Horton also recorded an alternative version for release in British Commonwealth countries, avoiding the unfavorable lyrics concerning the British: the word “British” was replaced with “Rebels,” along with a few other differences.

Many other artists have recorded this song. Notable versions include the following:

• In the United States, Vaughn Monroe‘s 1959 single competed with Horton’s but did not achieve the same degree of success and became only a minor Hot 100 hit.
• In Britain, Lonnie Donegan and his Skiffle Group’s1959 version competed with Horton’s and achieved greater success, peaking at number two. This version includes a spoken introduction, in which Donegan explains that the British were on the losing side.
• Pete Seeger and Frank Hamilton recorded the song for their 1959 album Nonesuch and Other Folk Tunes.
• The Royal Guardsmen covered the song on their 1966 album Snoopy vs. the Red Baron
• Harpers Bizarre had a minor Hot 100 hit with their somewhat psychedelic version from their 1968 album The Secret Life of Harpers Bizarre.
• Doug Kershaw recorded the song for his third LP, Doug Kershaw in 1971
• Sunny Ryder sang a version of the song in the 1971 spaghetti western A Town Called Hell
• Johnny Cash‘s version of the song is on the 1972 album America: A 200-Year Salute in Story and Song.
• The Germany-based Les Humphries Singers‘ 1972 hit, “Mexico,” used the melody and parts of the lyrics, violating copyright by crediting the song to the British-born bandleader Les Humphries. In 1982 the Les Humphries Singers re-released a remixed version “Mexico” with different lyrics, which charted in the Netherlands. Another new release in 2006 contained the original lyrics again.
• Leon Russell‘s cover of the song is on his 1973 album Hank Wilson’s Back Vol. I.
• Nitty Gritty Dirt Band had a minor Hot 100 hit with their version in 1974.
• Commander Cody and his Lost Planet Airmenplayed a cover version of the song at their performance in New York City on September 14, 1976.^[14]
• Dolly Parton performed the song on her 1976/1977 variety show, Dolly.^[15]
• Bill Haley recorded a version in 1979 at his final recording sessions and it was released on his final album, Everyone Can Rock and Roll.
• The song features prominently in the 1982 film Veronika Voss directed by Rainer Werner Fassbinder.
• Sha Na Na appropriately performed the song as a part of a War of 1812 themed skit on their show.
• Cornershop covered the song as a bonus track for their 2009 album Judy Sucks a Lemon for Breakfast.
• Kingfish recorded a live version at their 1976 concert at the Beacon Theatre, Kingfish in Concert, released in 1996.
• Icelandic singer Erling Ágústsson recorded a cover titled Við gefumst aldrei upp (“We Never Give Up”).
• Les Claypool released a version on his 2014 Duo de Twang debut album Four Foot Shack with Bryan Kehoe.
• Deep Purple included a version of the song on their 2021 covers album Turning to Crime.

ParodiesEdit

“The Battle of Kookamonga”Edit

“The Battle of Kookamonga”
Single by Homer and Jethro
from the album Homer and Jethro at the Country Club
B-side	“Waterloo”
Released	1959
Genre	Country, Parody
Length	2:38
Label	RCA Victor
Songwriter(s)	Jimmy Driftwood, J. J. Reynolds

Country music parodists Homer and Jethro parodied “The Battle of New Orleans” with their song “The Battle of Kookamonga”. The single was released in 1959 and featured production work by Chet Atkins. In this version, the scene shifts from a battleground to a campground, with the combat being changed to the Boy Scouts chasing after the Girl Scouts.

Other parodiesEdit

• “The Battle Of Queenston Heights” by Mike Darowand the Chums, 1959.^[16] (Battle of Queenston Heights)
• “The Battle of the Waikato” by Howard Morrison Quartet, 1960.
• “Deer Hunter’s Lament” by Stew Clayton, 1973.^[17]
• The Mexican group El Tren recorded a parody titled “La Batalla del Cinco de Mayo,” 1980, telling the events of Cinco de Mayo.
• One verse of “The Battle of All Saints Road” by Big Audio Dynamite, 1988 (another verse parodies “Duelling Banjos“).
• “The White House Burned” recounts the War of 1812 by Three Dead Trolls in a Baggie, 1991.
• “Ballad of Hank Williams” by Hank Williams Jr., 1981
• “The New Battle of New Orleans,” recounting Hurricane Katrina, by Ray Stevens, 2005.
• “The Ballad of Fetteh Shmeel” by Country Yossiand the Shteeble-Hoppers, reworks the tune with a Jewish message, on the 2005 LP Break Out.
• “The Falklands War Song” is a version recounting the Falklands War from the British perspective.

See also

_———-

–

Rosanne Cash is sharing a never-before-seen photo of dad Johnny Cash and King Charles III.

On Monday, Rosanne, 67, posted the decades-old image of Charles, now 73, and Johnny, who died in 2003 at age 71, sharing a moment asthey stood together, looking off-camera.

“I’ve been debating all day whether or not to post this photo, but it’s just too good to keep under wraps,” wrote Rosanne, who posted the photo amid Queen Elizabeth‘s funeral.

“I expect a lot of captions, but none I haven’t thought of already. But go right ahead,” she added.

Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from juicy celebrity news to compelling human-interest stories.

RELATED GALLERY: Guess the Celebrity from the Throwback Photo

King Charles recently became monarch upon the death of his mother, Queen Elizabeth, who died at age 96 on Sept. 8 at Balmoral Castle in Scotland.

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Billy Graham, hippies, and the rock concert →

Billy Graham and Johnny Cash: An Unlikely Friendship

Posted on March 2, 2018 by Steve-O

Image: SLADE Paul / Getty Images

By Tony Carnes

Billy Graham and Johnny Cash were the best of friends, mutual confessors, and fishing buddies. Their wives, Ruth Bell and June Carter, were prayer partners. The two men could sit for hours in the same room without saying a word—Billy working on a book and Johnny on his songs. Once in a while, Johnny would interrupt and try out a song on Billy or ask a question about the Bible. At mealtimes, the families would gather to pray, sing, and eat. Usually the subject moved quickly to family and friends, problems and challenges. Johnny always had a list of friends he wanted Billy to call, while Billy would ask Johnny for advice and prayer for his loved ones.
***
Billy and Johnny had a superficial connection based on their roots in the hardscrabble rural South. They grew up around Baptist churches and barns. Barbecue, cornbread, and pork and beans would set their mouths watering.

On a deeper level, though, their backgrounds couldn’t have been more different. “Johnny came from the wild side, while Billy had never been through that phase. Billy walked the straight and narrow,” observes [Steve] Turner.

Even after his return to faith in 1967, Johnny’s life was pretty bumpy with what he called his “goof-ups.” And when he slipped back into amphetamine usage, he could get out of control. Johnny also felt let down by some of the ministries that he had latched on to for help. Turner says Johnny felt that “some failed him, some exploited him.”
***
So it was Billy’s faithfulness and integrity that Johnny gravi­tated toward. Billy was constant through the years, both in his personal relationship with Johnny and in his theology. Billy didn’t seem to go off on theological tangents at the drop of a dime. “Billy was a beacon to Cash who didn’t change,” says Turner. “Billy remained a stable character.”

When Johnny fell off the wagon, he likely didn’t confide that to Billy, though June may well have shared it with Ruth. The two wives constantly prayed with each other over their husbands and children. Johnny told Turner that in 1977 he was embarrassed that Billy would talk about the biography of the apostle Paul that Johnny was writing, because he was too stoned to even write. In the 1980s, there was a tabloid uproar over claims that Johnny was having an affair and too stoned to appear at two Graham crusades. Johnny denied the drug usage and said no one could separate him and June. However, Johnny checked into a drug rehabilitation program.

Whether Billy knew all the details of Johnny’s “goof-ups,” his response to Johnny was as a loving friend, loyal through thick and thin. “Daddy stayed his friend, that’s all,” Franklin says. Johnny’s faith didn’t change, but his closeness to God did. “Johnny never had problems with his faith, but he had problems with his life,” Franklin observes. Billy continued to invite Johnny to his crusades and, after Johnny got clean from drugs, encouraged him to finally finish his book on Paul, Man in White, in 1986.

When Johnny and Billy were together, it was like two broth­ers picking cotton together—one pretty steady and the other occasionally cutting up.

Read entire Christianity Today article HERE.Or below:

Billy Graham and Johnny Cash: An Unlikely Friendship

The evangelist originally sought out the singer for the sake of his son.

TONY CARNES|FEBRUARY 22, 2018 

Image: SLADE Paul / Getty Image

Billy Graham and Johnny Cash were the best of friends, mutual confessors, and fishing buddies. Their wives, Ruth Bell and June Carter, were prayer partners. The two men could sit for hours in the same room without saying a word—Billy working on a book and Johnny on his songs. Once in a while, Johnny would interrupt and try out a song on Billy or ask a question about the Bible. At mealtimes, the families would gather to pray, sing, and eat. Usually the subject moved quickly to family and friends, problems and challenges. Johnny always had a list of friends he wanted Billy to call, while Billy would ask Johnny for advice and prayer for his loved ones.

Billy and Johnny’s connection originated with Billy’s desire to connect with his son Franklin and the boy’s teenage peers. Franklin says that even as a little boy, “I loved Johnny Cash’s music.” He recalls that in 1969, Billy called the governor of Ten­nessee to ask for help in setting up an appointment with Johnny. Billy was observing his son slip into smoking, drinking, drugs, and girls. Franklin left one school after another, sometimes after being expelled. In his autobiography, Just as I Am, Billy explained that Franklin believed he was successfully hiding these things from his dad—“or so he thought,” Billy wrote.

Both father and son later agreed that Billy had approached Johnny with the goal of connecting with Franklin. “My favorite song was ‘Ring of Fire,’” says Franklin. “Father wanted to con­nect to me by connecting to Johnny Cash.” The elder Graham framed the matter in more global terms while visiting the sing­er’s home near Nashville.

Johnny told Country Music magazine that he was curious about why Billy had come to see him. Johnny had only recently gotten off drugs, started attending church, and married June. “We had a big meal and we sat around and talked a long time. I kept waiting for him to say what he came to see me about.” Billy said he just wanted to talk about music, a conversational topic Billy’s friends might have found surprising coming from the evangelist.

Then Billy obliquely mentioned his real concern: “He said the kids were not going to church, that they were losing interest in religion, and he said he thought that the music had a lot to do with it, because there was nothing in the church house that they heard that they liked,” Johnny recalled. Billy admitted that the music in church sounded old. His own crusades mainly used older hymns. “The latest thing the kids can hear in the church is ‘Bringing in the Sheaves’ and ‘How Great Thou Art,’” the evan­gelist told the singer.

By this time Billy seemed to have shrewdly read Johnny as a man who liked a challenge and maintained his own spiritual direction by having his friends gather around to move him in the right direction through rough spots. Johnny recalled how Billy pricked his interest: “He kind of challenged me to chal­lenge others, to try to use what talent we have to write something inspiring.” According to Steve Turner, a Christian journalist who began collaboration with Johnny on an autobiography just before the singer’s death in 2003, Johnny was taken by this pastor who was as charismatic as Johnny, yet was humble and quietly confident in God.

Johnny had found a friend, confidant, and inspiration—a down-home boy like himself, but one who plowed his rows straight. “Well, first thing that happened,” Johnny described, “the night after [Billy] left, I wrote ‘What Is Truth?’ Just him coming to the house inspired me to write that, if you want to call it inspira­tion.” Johnny then talked to June about producing a film in Israel about Jesus. The singer also appeared at a crusade in Knoxville, Tennessee, in 1970, the first of his 30 crusade appearances.

The evangelist was intrigued by Johnny’s honesty about his trou­bles and his faith, and how that honesty connected with the non-churchgoing crowd. Billy invited Johnny to his May 24, 1970, crusade in Knoxville, Tennessee, causing some concern among Billy’s staff. “There was an uproar in Dad’s organization,” Franklin recalls. “It was like he had invited Elvis Presley!”

Billy told people that Johnny was the type of person he wanted to reach. Franklin describes his dad’s thinking as a way to minister to Johnny while also reaching new people. “Daddy saw the type of people Johnny would bring. And Johnny and June themselves came knowing they would hear the gospel.” Graham’s music director, Cliff Barrows, said that he knew Johnny was adding a new dimension to the crusades: “All the guys that drove pickups and were in the ‘rough and ready’ crowd would come. We could always count on a larger percentage of uncon­verted folks to come who needed the Lord.”

At the Knoxville crusade, Billy and Johnny teamed up to meet the Jesus Revolution of the early 1970s. Billy preached on the Jesus who could revolutionize someone’s life, while Johnny testified to Jesus’ power to bring him off drugs, which he said “ain’t worth it.” Johnny was entering a new phase of spiritual depth. Before, Jesus was his lifesaver—now he started to see Jesus as someone who could mature him. He characterized this change as a move from careerism to ministry. “I’ve lived all my life for the devil up until now,” the singer told church audiences, “and from here on I’m going to live it for the Lord.” Although Johnny partnered with a number of ministries and was pastored by Jimmy Lee of Nash­ville, his personal relationship with Billy continued to grow.

In a bit of Nashville legend, Billy did a cameo role reciting a Bible verse in one of Johnny’s songs, “The Preacher Said, ‘Jesus Said.’” Johnny was inspired by Billy and his wife to film the life of Christ in Israel. The Gospel Road was bought by the Billy Gra­ham Evangelistic Association in 1972 and was used with great evangelistic success.

In 1972, Billy Graham and Bill Bright of Campus Crusade for Christ put on their evangelistic Jesus Revolution extravaganza, Explo ’72, in Dallas, Texas. With 150,000 in attendance, Billy addressed what he called “a religious Woodstock” with Johnny and Johnny’s friend Kris Kristofferson as key performers. Johnny sang “I’ve Seen Men Like Trees Walking,” “A Thing Called Love,” and “Supper Time.” Billy and Johnny also continued to grow closer, though Johnny was still sporadically living out a painful legacy of depravity and despair. The golden-haired evangelist and the man in black seemed such an unlikely pair of friends.

Constant Companion

Billy and Johnny had a superficial connection based on their roots in the hardscrabble rural South. They grew up around Baptist churches and barns. Barbecue, cornbread, and pork and beans would set their mouths watering.

On a deeper level, though, their backgrounds couldn’t have been more different. “Johnny came from the wild side, while Billy had never been through that phase. Billy walked the straight and narrow,” observes Turner.

Even after his return to faith in 1967, Johnny’s life was pretty bumpy with what he called his “goof-ups.” And when he slipped back into amphetamine usage, he could get out of control. Johnny also felt let down by some of the ministries that he had latched on to for help. Turner says Johnny felt that “some failed him, some exploited him.”

So it was Billy’s faithfulness and integrity that Johnny gravi­tated toward. Billy was constant through the years, both in his personal relationship with Johnny and in his theology. Billy didn’t seem to go off on theological tangents at the drop of a dime. “Billy was a beacon to Cash who didn’t change,” says Turner. “Billy remained a stable character.”

When Johnny fell off the wagon, he likely didn’t confide that to Billy, though June may well have shared it with Ruth. The two wives constantly prayed with each other over their husbands and children. Johnny told Turner that in 1977 he was embarrassed that Billy would talk about the biography of the apostle Paul that Johnny was writing, because he was too stoned to even write. In the 1980s, there was a tabloid uproar over claims that Johnny was having an affair and too stoned to appear at two Graham crusades. Johnny denied the drug usage and said no one could separate him and June. However, Johnny checked into a drug rehabilitation program.

Whether Billy knew all the details of Johnny’s “goof-ups,” his response to Johnny was as a loving friend, loyal through thick and thin. “Daddy stayed his friend, that’s all,” Franklin says. Johnny’s faith didn’t change, but his closeness to God did. “Johnny never had problems with his faith, but he had problems with his life,” Franklin observes. Billy continued to invite Johnny to his crusades and, after Johnny got clean from drugs, encouraged him to finally finish his book on Paul, Man in White, in 1986.

When Johnny and Billy were together, it was like two broth­ers picking cotton together—one pretty steady and the other occasionally cutting up. Franklin says it was this Southern sen­sibility that drew their relationship together once a foundation in Christ was set. “Johnny never lost his love of country, and neither had my father. The food they liked, the tastes they had,” says Franklin. Johnny liked to bring the Grahams to his fishing cabin at Port Richey on the Pithlachascotee River and to his old-style Jamaican house on Montego Bay. In the spring of 1976, after Johnny had reportedly brewed coffee so strong you could barely drink it, Billy and Johnny headed out to fish. They picked up shrimp, mullet, and squid for bait at Des Little’s Fish Camp and spent the day casting lines, Scriptures, and songs.

These trips were a little primitive for the women. Ruth was always a little relieved to get back to the hotel in Jamaica after time at Johnny’s ramshackle place with creepy crawlies and loose boards. But wherever they were, the Grahams and Cashes were like family.

In their later years, the couples talked to each other every week, sometimes every day. Billy was something of a hypochon­driac and would get on the phone to update Johnny on all the ail­ments that he had or might have. Johnny would meet ailment for ailment until they would laugh together and pray for each other. When Ruth fell deathly sick one time, June spent six hours pray­ing over her bedside. Johnny’s phone calls to Billy were often peppered with questions about the Bible, some so difficult that the evangelist just counseled Johnny to ask God when he got to heaven.

Billy wrote Johnny a note after their first Christmas together in 1974 that summarizes the many aspects of their rela­tionship: “When we left, Ruth and I had tears in our eyes. … We have come to love you all as few people we have ever known. The fun we had, the delicious food we ate, the stimulating conversa­tion, lying in the moonlight at night, the prayer meetings, the music we heard, etc. There has been running over and over in my mind ‘Matthew 24 is knocking at the door.’ I have a feeling this could be a big hit.” Their friendship in Christ certainly was.

Tony Carnes is a former senior writer for Christianity Todayand is now publisher and editor of A Journey through NYC religions.

March 16, 2019

. Justin Timberlake

Dear Justin,

Like you, I have always loved golf and like you I grew up in the Memphis area.

In 1977, two huge events made national news at the now titled “Danny Thomas Memphis Classic.” First, President Gerald Ford made a hole-in-one during Wednesday’s Celebrity Pro-Am. That event is now referred to as the “Shot Heard ‘Round the World.” Two days later, Al Geiberger shocked the golf world with his record low round of 59 on Friday of the tournament. The 13-under-par round still stands as a PGA TOUR record. (Chip Beck and David Duval have since tied the mark.)

I had the chance to hear the roar that came from the crowd that day that President Ford hit the hole in one (on hole #5 at Colonial Country Club in Cordova, TN). Just a few holes later I saw Danny Thomas walking around saying with slurred speech, :”This is the ball, this is the ball” while he held up a golf ball. I thought he was going to fall on me as he passed by.

Then just two days later I saw the last 5 holes of Al Geiberger’s 59. He was walking around with this silly grin on his face because almost every putt was going in.

You and I have something in common and it is the song GOD’S GONNA CUT YOU DOWN. You were in the video and my post about that video entitled, People in the Johnny Cash video “God’s Gonna Cut You Down” is the most popular post I have done in recent years. It ranked #1 for all of 2015 and I have over 1,000,000 hits on my http://www.thedailyhatch.org blog site. The ironic thing is that I never knew what a big deal Johnny Cash was until he had died. I grew up in Memphis with his nephew Paul Garrett and we even went to the same school and church. Paul’s mother was Johnny Cash’s sister Margaret Louise Garrett.

Stu Carnall, an early tour manager for Johnny Cash, recalled, “Johnny’s an individualist, and he’s a loner….We’d be on the road for weeks at a time, staying at motels and hotels along the way. While the other members of the troupe would sleep in, Johnny would disappear for a few hours. When he returned, if anyone asked where he’d been, he’d answer straight faced, ‘to church.'”

There were two sides to Johnny Cash and he expressed that best when he said, “There is a spiritual side to me that goes real deep, but I confess right up front that I’m the biggest sinner of them all.”

Have you ever taken the time to read the words of the song?

Johnny Cash – God’s Gonna Cut You Down

Johnny Cash’s version of the traditional God’s Gonna Cut You Down, from the album “American V: A Hundred Highways”, was released as a music video on November 9 2006, just over three years after Cash died. Producer Rick Rubin opens the music video, saying, “You know, Johnny always wore black. He wore black because he identified with the poor and the downtrodden…”. What follows is a collection of black and white clips of well known pop artists wearing black, each interacting with the song in their own way. Some use religious imagery. Howard sits in his limo reading from Ezekiel 34, a Biblical passage warning about impending judgment for false shepherd. Bono leaning on a graffiti-filled wall between angel’s wings and a halo, pointing to the words, “Sinners Make The Best Saints. J.C. R.I.P.” A number of artists wear or hold crosses.

Artists appear in this order: Rick Rubin, Iggy Pop, Kanye West, Chris Martin, Kris Kristofferson, Patti Smith, Terence Howard, Flea (Red Hot Chili Peppers), Q-Tip, Adam Levine (Maroon 5), Chris Rock, Justin Timberlake, Kate Moss, Sir Peter Blake (Sgt Peppers Artist), Sheryl Crow, Denis Hopper, Woody Harrelson, Amy Lee of Evanescence, Tommy Lee, Natalie Maines, Emily Robison, Martie Maguire (Dixie Chicks), Mick Jones, Sharon Stone, Bono, Shelby Lynne, Anthony Kiedis, Travis Barker, Lisa Marie Presley, Kid Rock, Jay Z, Keith Richards, Billy Gibbons, Corinne Bailey Rae, Johnny Depp, Graham Nash, Brian Wilson, Rick Rubin and Owen Wilson. The video finishes with Rick Rubin traveling to a seaside cliff with friend Owen Wilson to throw a bouquet of flowers up in the air.

• American singer and civil rights activist Odetta recorded a traditional version of the song. Musician Sean Michel covered the song during his audition on Season 6 of American Idol. Matchbox Twenty also used the song before playing “How Far We’ve Come” on their “Exile in America” tour.

• The New Jersey rock band The Gaslight Anthem have also covered the song.^{[citation needed]} Canadian rock band Three Days Grace has used the song in the opening of their live shows, as well as the rock band Staind . Bobbie Gentry recorded a version as “Sermon” on her album The Delta Sweete. Guitarist Bill Leverty recorded a version for his third solo project Deep South, a tribute album of traditional songs. Tom Jones recorded an up-tempo version which appears on his 2010 album Praise & Blame. Pow woW recorded a version with the Golden Gate Quartet for their 1992 album Regagner les Plaines and performed a live version with the quartet in 2008. A cover of the song by Blues Saraceno was used for the Season 8 trailer of the TV series Dexter. Pedro Costarecorded a neo-blues version for the Discovery channel TV show Weed Country (2013). Virginia based folk rock band Carbon Leaf covered the song many times during their live shows.

• Chart positions[edit]

  Moby version: “Run On”[edit]

  Chart (1999)	Peak position
  UK Singles Chart	33

  Johnny Cash version[edit]

  Chart (2006)	Peak position
  UK Singles Chart	77

• 

• American Idol contestant ministers in Chile

  by Tristan Taylor, posted Wednesday, August 18, 2010 (5 years ago)
• SANTIAGO, Chile (BP)–Sean Michel smiled through his distinctive, foot-long beard as he slid the guitar strap over his shoulder and greeted the crowd at El Huevo nightclub with what little Spanish he knows. The former American Idol contestant and his band then erupted into the sounds of Mississippi Delta blues-rock.But unlike other musicians who played that night, the Sean Michel band sang about every person’s need for God and the salvation that comes only through faith in Jesus Christ.”We came down [to Chile] to open doors that other ministries couldn’t,” said Jay Newman, Michel’s manager. “To get in places that only a rock band could — to create a vision for new church-planting movements among the underground, disenfranchised subcultures of Chile.”The Sean Michel band recently traveled through central Chile playing more than 15 shows in bars, churches, schools and parks. The group consists of Southern Baptists Sean Michel, lead singer; Alvin Rapien, lead guitarist; Seth Atchley, bass guitarist; and Tyler Groves, drummer.”Although we’re a blues rock ‘n’ roll band, we’re an extension of the church,” Michel said. “We’re kind of like ‘musicianaries,’ if you will.”MISSIONS-MINDED MUSICIANSThe band formed after Michel and Newman met as students at Ouachita Baptist University in Arkadelphia, Ark. While there, the two began recording and selling Michel’s music as a way to raise money for mission trips to Africa and Asia.”We were just trying to raise money for a mission trip, but we’d also seen God speaking to people through the music,” Michel said. “So we were like, ‘Well, maybe we need to do something with this,’ and we became a music ministry. But it’s always been rooted in missions and … in the Great Commission.”Michel graduated from Ouachita in 2001, Newman in 2004. In 2007, Newman talked Michel into auditioning for American Idol. The exposure Michel received through the television show gained a wider audience for their ministry.”The whole American Idol thing was so weird,” Michel said. “We just kind of went on a whim. But the Lord used it in a big way.”During his tryout, Michel belted out a soulful rendition of Johnny Cash’s “God’s Gonna Cut You Down.” The video of the audition went viral on the Internet.Soon he was doing radio interviews in which he identified himself as a Christian and directed listeners to the band’s Gospel-laden MySpace page. On their next mission trip to Asia, Michel and Newman found that being recognizable gave them access to venues they couldn’t have entered before.The band is now an official extension of First Southern Baptist Church of Bryant, Ark., where the musicians have long been active members serving in the music and youth ministries. Every mission trip they have taken has involved working with International Mission Board (IMB) missionaries.”We’re Southern Baptist,” Michel said. “That’s who we roll with.”TOUR DE FAITH”With short-term mission trips, you can plan, but you just got to be willing for your plans to change,” said Michel. When the band arrived in Chile, they were surprised to find that their schedule wasn’t nearly as full as expected. Almost no public venues had booked shows, and many rock-wary churches had declined to host the band.”The biggest barrier we had was the pastors,” said Cliff Case, an IMB missionary in Santiago, Chile, and a 1984 graduate of Ouachita Baptist. “The older pastors on two or three different occasions gave excuses for not doing it. It was a real frustration in that sense.”Disappointed by the lack of interest, the band prayed for God’s help. They met Jose Campos — or Pépe, as the band came to know him. Campos works with music and youth for the Ministry of the Down and Out, an independent Christian ministry that seeks to reach the often-overlooked demographics of Santiago.Campos was able to use his connections to book shows for the band in venues they wouldn’t have known about otherwise.”Had we met Pépe (Campos) two or three weeks before the group came, there’s no telling how many shows we might have done,” said Case, who met Newman at Ouachita when Case and his wife, Cinthy, were missionaries-in-residence there.Campos booked the show at El Huevo, possibly Chile’s most popular club. Playing there has given the band musical credibility among Chilean rockers. And, one Chilean church reported that a youth accepted Christ after hearing Newman talk before a show. The band already is contemplating a return tour next year.

  OPENING NEW DOORS

  Sharing the Gospel through their songs is only the beginning for the Sean Michel band. Their vision is to be a catalyst to help churches — and missionaries — connect with the lost people of their communities.

  “God is not saving the world through rock bands,” Michel said. “He’s saving the world through the church. And it will always be through the local body.”

  The band wants to see churches take ministry beyond the church doors.

  “If you’re going to want to legitimately reach lost people, you’re going to have to get out,” Michel said. “Go out into the dark places. Those are the places we need to be to reach out.”

  The band’s ministry in Chile opened new doors for IMB missionaries to reach the young, musical subculture of Chilean society.

  “They laid the groundwork for more opportunities,” Case said. “Now we have a network of who to talk to and how to get organized. We can focus on how to use the work they’re doing so we can win people to the Lord and plant some churches.”

  ---

  Tristan Taylor is an International Mission Board writer living in the Americas.

• Featured artist is Joseph Beuys

  At the 1:20:41 point until the end of the talk is about Joseph Beuys

  [ARTS 315] Contemporary Liturgies: Performance Art and Embodied Belief – Jon Anderson

  At the 6:45 mark in the below video Jon Anderson talks about Joseph Beuys.

  [ARTS 315] Bodies of Knowledge: Performance Art and Social Space – Jon Anderson

  Published on Apr 5, 2012

  Contemporary Art Trends [ARTS 315], Jon Anderson

  Bodies of Knowledge: Performance Art and Social Space

  November 11, 2011

  _______________

  The Wound and The Coyote: Joseph Beuys’ Spiritual Vision

  By

  Jim Watkins

  – 19/07/2010Posted in: Artists, Ethics, Theology

  

  If you come in a space with a big flame of fire you will get burnt, and you cannot say: ‘This is the symbol of a flame’, because you will die of the heat of this flame.  So is Christ not a symbol for something.  It is the substance in itself.  It means life.  It means power, the power of life… Without this substance of Christ the earth would already have died.[1]

  Joseph Beuys believed that Western society, and particularly Germany, had become spiritually bankrupt.  During WWII, Beuys flew in the German Luftwaffe and his plane was shot down.  As the legend goes, a tribe of tartars found him and managed to keep him alive by wrapping him in animal fat and felt until German soldiers eventually brought him to a hospital.  After WWII, Beuys watched his country and Europe fall into dark times.  He believed that Western society was wounded.

  The wound is a potent and pervasive theme in Beuys’ work.  His environment Show Your Wound (1974) spoke of death and the possibility of regeneration, and exhorted Germans to “show your wound.”  In his famous I Like America and America Likes Me (photo above, 1974), the wound motif reappears.  The performance begins at Beuys’ home in Germany where he is wrapped in felt, placed on a stretcher and driven by ambulance to the airport.  When he arrives in New York, he is met by another ambulance that takes him to a gallery.  Beuys then prepares a room for himself and a coyote to live together for several days.  He had only a shepherd’s staff and a blanket of felt for protection.  Over the course of their cohabitation, Beuys is able to tame the wild coyote, and at one point the coyote actually lays harmlessly upon his lap.  In this remarkable piece the wound is recognized and healed.  As one commentator puts it, this encounter becomes a “reconciliation between the New World and the Old World, fraternization between different races, animal and man, nature and culture.”[2]

  Beuys’ work could be described as prophetic.  The prophet is one who, as Walter Bruggemann says, embodies an “alternative consciousness” in such a way that he “serves to criticize in dismantling the dominant consciousness”[3] and “energize persons and communities by its promise of another time and situation toward which the community of faith may move.”[4] It is clear from nearly all of his works and from his numerous statements, that Beuys’ main concern was to nurture, nourish, and evoke an alternative consciousness.  Beuys thought that the key to transforming society is found in what he calls Social Sculpture: the shaping of society through the collective creativity of its members.  Beuys believed that human freedom begins with the recognition that everyone is an artist.

  For Beuys, there is no potential for social change in a materialist world and, thus, no possibility of experiencing the freedom that Christ offers.  This is why Beuys urgently appealed to humanity to restore their connection with a spiritual reality.  So, what are our wounds, and how might art be brought into service to heal them?

  ---

  [1] Joseph Beuys,  Interview with Louwrien Wijers, Joseph Beuys Talks to Louwrien Wijers, (Holland: Kantoor Voor Cultuur Extracten, 1980), 46.

  [2] Lucrezia De Domizio Durini, The Felt Hat: Joseph Beuys A Life Told, trans. by Howard Roger Mac Lean, (Milano: Edizioni Charta, 1997).

  [3] Walter Brueggemann, The Prophetic Imagination, (Minneapolis: Fortress Press, 2001) 3.

  [4] Ibid.

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  I got to hear Johnny Cash sing in person back in 1978. Here is a portion of an article about his Christian Testimony. The Man Came Around Johnny Cash was not ashamed of his Christian faith—though it was sometimes a messy faith—and even got some encouragement from Billy Graham along the way. Dave Urbanski | […]

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• People in the Johnny Cash video “God’s Gonna Cut You Down”

  May 11, 2012 – 12:10 pm

  Wikipedia noted: Johnny Cash recorded a version of “God’s Gonna Cut You Down” on American V: A Hundred Highways in 2003, with an arrangement quite different from most known gospel versions of the song. A music video, directed by Tony Kaye,[1] was made for this version in late 2006. It featured a number of celebrities, […]

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____

Johnny Cash – God’s Gonna Cut You Down

Johnny Cash’s version of the traditional God’s Gonna Cut You Down, from the album “American V: A Hundred Highways”, was released as a music video on November 9 2006, just over three years after Cash died. Producer Rick Rubin opens the music video, saying, “You know, Johnny always wore black. He wore black because he identified with the poor and the downtrodden…”. What follows is a collection of black and white clips of well known pop artists wearing black, each interacting with the song in their own way. Some use religious imagery. Howard sits in his limo reading from Ezekiel 34, a Biblical passage warning about impending judgment for false shepherd. Bono leaning on a graffiti-filled wall between angel’s wings and a halo, pointing to the words, “Sinners Make The Best Saints. J.C. R.I.P.” A number of artists wear or hold crosses.

Artists appear in this order: Rick Rubin, Iggy Pop, Kanye West, Chris Martin, Kris Kristofferson, Patti Smith, Terence Howard, Flea (Red Hot Chili Peppers), Q-Tip, Adam Levine (Maroon 5), Chris Rock, Justin Timberlake, Kate Moss, Sir Peter Blake (Sgt Peppers Artist), Sheryl Crow, Denis Hopper, Woody Harrelson, Amy Lee of Evanescence, Tommy Lee, Natalie Maines, Emily Robison, Martie Maguire (Dixie Chicks), Mick Jones, Sharon Stone, Bono, Shelby Lynne, Anthony Kiedis, Travis Barker, Lisa Marie Presley, Kid Rock, Jay Z, Keith Richards, Billy Gibbons, Corinne Bailey Rae, Johnny Depp, Graham Nash, Brian Wilson, Rick Rubin and Owen Wilson. The video finishes with Rick Rubin traveling to a seaside cliff with friend Owen Wilson to throw a bouquet of flowers up in the air.

March 16, 2019

Patricia Arquette

Beverly Hills, CA 90212-2605
USA

Dear Patricia,

I understand that you are Jewish. If Johnny Cash was here today, I bet he would share something like this below from the scriptures. Johnny was a student of the whole Bible. He wrote the book THE MAN IN WHITE about the apostle Paul and it took him 10 years to write and in that book you can tell that he spent much time in research asking Jewish leaders what life was like for the Jews in the 1st century in Palestine while being occupied by the Romans.

I know that you will spending lots of time in the scriptures and I wanted to share with you some key scriptures that talk about the Messiah. Patrick Zukeran of Probe Ministries wrote the article below:

Liar, Lunatic, or Lord?

A serious study of the Gospels leads a person to one of three conclusions about Jesus: He was (1) an evil lying villain, (2) a preposterously deluded madman, or (3) the Messiah, the Son of God. It is ludicrous for anyone who has studied His life to take the position that He was simply a good teacher. Only one of the three conclusions is a logical possibility.

Jesus made some outrageous claims no ordinary person would dare to make. First, He claimed to be God. His statements of equality with God meant He believed that He possessed the authority, attributes, and adoration belonging to God. He proclaimed authority over creation, forgiveness of sins, and life and death. He declared to possess the attributes of God. He emphatically stated that He was the source of truth and the only way to eternal life. Only Jesus among the significant leaders of history made such claims.

Here are a few of His outrageous claims. When “Philip said, Lord, show us the Father.’ Jesus answered. . . .Anyone who has seen me has seen the Father’” (John 14:8-9). Once, when the Pharisees were disparaging Jesus and challenging Him, Jesus responded, ” I and the Father are one.’ Again the Jews picked up stones to stone Him, but Jesus said to them, I have shown you many great miracles from the Father. For which of these do you stone me?’ We are not stoning you for any of these,’ replied the Jews, but for blasphemy, because you, a mere man, claim to be God’” (John 10:30-33). It is clear in these two statements, Jesus claimed to be God. His opponents clearly understood His declaration of equality with God.

When challenged by the scholars on His authority over Abraham, the father of the Jews, Jesus replied, “Your father Abraham rejoiced at the thought of seeing my day; he saw it and was glad.’ The Jews said to Him, You are not yet fifty years old, and you have seen Abraham!’ I tell you the truth,’ Jesus answered, before Abraham was born, I am!’” (John 8:56-58). Jesus clearly believed He had existed two thousand years earlier and knew Abraham.

On the issue of life and death Jesus stated, “I am the resurrection and the life. He who believes in me will live, even though he dies” (John 11:25). Here He believed He had authority over life and death.

Finally, Jesus accepted and encouraged others to worship Him. Throughout the Gospels the disciples worshiped Jesus as seen in Matthew 14:33 and John 9:38. Jesus states in John 5:22-23, “Moreover, the Father judges no one but has entrusted all judgment to the Son, that all may honor the Son just as they honor the Father. He who does not honor the Son does not honor the Father, who sent Him.” Jesus knew the Old Testament command “Worship the Lord your God, and serve Him only” (Matt. 4:10). Despite this, Jesus encouraged others to worship Him. Either He was mad (insane), or He was who He claimed to be and deserves our worship as God incarnate.

After reading such claims, it is impossible for anyone to say He was merely a good teacher. A man making claims like these must either be a diabolical liar, insane, or God incarnate. For the remainder of this essay we will be discussing which of these conclusions is most plausible.

A Villain, A Madman, or God Incarnate?

We have established at this point that Jesus made some astounding claims about himself. He presumed to be God, claimed the authority and attributes of God, and encouraged others to worship Him as God. If, however, Jesus was a liar, then He knew His message was false but was willing to deceive thousands with claims He knew were untrue. That is, Jesus knew that He was not God, He did not know the way to eternal life, and He died and sent thousands to their deaths for a message He knew was a lie. This would make Jesus history’s greatest villain (and perhaps, a demon) for teaching this wicked lie. He would have also been history’s greatest fool for it was these claims that lead Him to His death.

Few, if any, seriously hold to this position. Even the skeptics unanimously agree that He was at least a great moral teacher. William Lecky, one of Britain’s most respected historians and an opponent of Christianity writes, “It was reserved for Christianity to present the world an ideal character which through all the changes of eighteen centuries has inspired the hearts of men with an impassioned love.”{1}

However, it would be inconsistent and illogical to believe that Jesus was a great moral teacher if some of those teachings contained immoral lies about himself. He would have to be a stupendous hypocrite to teach others honesty and virtue and all the while preach the lie that He was God. It is inconceivable to think that such deceitful, selfish, and depraved acts could have issued forth from the same being who otherwise maintained from the beginning to the end the purest and noblest character known in history.

Since the liar conclusion is not logical, let us assume He really believed He was God but was mistaken. If He truly believed He had created the world, had seen Abraham two thousand years before, and had authority over death, and yet none of this was true, we can only conclude that He was mad or insane.

However, when you study the life of Jesus, He clearly does not display the characteristics of insanity. The abnormality and imbalance we find in a deranged person are not there. His teachings, such as the Sermon on the Mount, remain one of the greatest works ever recorded. Jesus was continually challenged by the Pharisees and lawyers, highly educated men whose modern day equivalent would be our university professors. They were fluent in several languages and were known for their scholarship of the Old Testament and Jewish law. They challenged Jesus with some of the most profound questions of their day and Jesus’ quick answers amazed and silenced them. In the face of tremendous pressure, we find He exemplified the greatest composure.

For these reasons, the lunatic argument is not consistent. If both the liar and the lunatic options are not consistent with the facts, we must take a serious look at the third option: that Jesus was really God. The next question is, does He prove to have the credentials of God? Let us investigate this possibility.

Messianic Prophecy

Thus far we have learned that Jesus is unique among all men for the profound statements He made about His divinity. We concluded that it is impossible to state He was simply a good moral teacher. From His amazing statements, He must be a liar, a lunatic, or God. Since the first two were not conceivable, we will begin looking at the third alternative, that He really is God. First, we must see if He had the credentials for these claims.

One of the most incredible types of evidence is the testimony of prophecy. The Old Testament contains a number of messianic prophecies made centuries before Christ appeared on the earth. The fact that He fulfilled each one is powerful testimony that He was no ordinary man. Allow me to illustrate this point using eight prophecies.

• Genesis 12:1-3 states the Messiah would come from the seed of Abraham.

• Genesis 49:10 states that He would be of the tribe of Judah.

• 2 Samuel 7:12 states that Messiah would be of the line of King David.

• Micah 5:2 states that He would be born in the city of Bethlehem.

• Daniel 9:24 states He would die or be “cut off” exactly 483 years after the declaration to reconstruct the temple in 444 B.C.

• Isaiah 53 states that the Messiah would die with thieves, then be buried in a richman’s tomb.

• Psalm 22:16 states upon His death His hands and His feet would be pierced. This is quite significant since Roman crucifixion had not been invented at the time the Psalmist was writing.

• Isaiah 49:7 states that Messiah would be known and hated by the entire nation. Not many men become known by their entire nation, and even less are despised by the entire nation.

Now calculate the possibility of someone fulfilling these by coincidence. Let us suppose you estimate there is a one in a hundred chance a man could fulfill just one of these prophecies by chance. That would mean when all eight are put together there is a 1/10 to the 16th power probability that they were fulfilled by chance. Mathematician Peter Stoner estimates 1/10 to the 17th power possibility that these prophecies were fulfilled by chance.{2} Mathematicians have estimated that the possibility of sixteen of these prophecies being fulfilled by chance are about 1/10 to the 45th power.{3} That’s a decimal point followed by 44 zeroes and a 1! These figures show it is extremely improbable that these prophecies could have been fulfilled by accident. The figures for fulfillment of the 109 major prophecies are staggering.{4}

Skeptics have objected to the testimony of prophecy, stating they were written after the times of Jesus and therefore fulfill themselves. However, the evidence overwhelmingly shows these prophecies were clearly written centuries before Christ. It is an established fact even by liberal scholars that the Old Testament canon was completed by 450 B.C. The Septuagint, the Greek translation of the Old Testament, was completed in the reign of Ptolemy Philadelphus in 250 B.C. The Dead Sea Scrolls discovered in 1948 contained the books of the Old Testament. Prophetic books like Isaiah were dated by paleographers to be written in 100 B.C.{5} Once again, these prophecies were confirmed to have been written centuries before Christ, and no religious leader has fulfilled anything close to the number of prophecies Jesus has fulfilled.

Notes
1. William Lecky, History of European Morals from Augustus to Charlemagne (New York: D.Appleton and Company, 1903), p. 8.
2. Josh McDowell, Evidence That Demands a Verdict (San Bernadino, Calif.: Here’s Life Publishers, 1979), p. 167.
3. Norman Geisler, When Skeptics Ask (Wheaton, Ill.:Victor Press, 1990), p. 116.
4. Tim LaHaye, Jesus, Who is He? (Sisters, Ore.: Multnomah Books, 1996), p. 176.
5. Norman Geisler and William Nix, A General Introduction to the Bible (Chicago: Moody Press, 1986), pp. 365-66.
6. Peter Carsten Theide and Matthew D’Ancona, Eyewitness to Jesus (New York: Doubleday, 1996), p. 163.
7. Anonymous, “One Solitary Life,” quoted in Tim LaHaye, Jesus, Who is He?, p. 68.

Bibliography

1. Craig, William Lane. Apologetics: An Introduction. Chicago: Moody Press, 1984.

2. Geisler, Norman. When Skeptics Ask. Wheaton, Ill.: Victor Press, 1990.

3. Geisler, Norman, & Nix, William. A General Introduction to the Bible. Chicago: Moody Press, 1986.

4. Hume, David. An Enquiry Concerning Human Understanding. Oxford, England: Clarendon Press, 1902.

5. LaHaye, Tim. Jesus, Who Is He? Sisters, Ore.: Multnomah Books, 1996.

6. Lecky, William. History of European Morals from Augustus to Charlemagne. New York: D. Appleton and Co., 1903. Page 8.

7. Lewis, C. S. Miracles. New York: Macmillan Publishing, 1960.

8. Little, Paul. Know Why You Believe. Downers Grove, Ill.: InterVarsity Press, 1988.

9. Nash, Ronald. Faith and Reason. Grand Rapids, Mich.: Zondervan Publishing, 1988.

10. McDowell, Josh. Evidence That Demands a Verdict. San Bernadino, Calif.: Here’s Life Publishers, 1979.

11. Stott, John. Basic Christianity. Downers Grove, Ill.: Inter Varsity Press, 1971.

12. Theide, Peter Carsten, and D’Ancona, Matthew. Eyewitness to Jesus. New York: Doubleday, 1996.

13. Walvoord, John. Prophecy Knowledge Handbook. Wheaton, Ill.: Victor Press, 1990.

©2000 Probe Ministries.

About the Author

Patrick Zukeran is a Hawaii-based research associate with Probe Ministries. He has a B.A. in Religion from Point Loma Nazarene University, a Th.M. from Dallas Theological Seminary, and a D.Min. from Southern Evangelical Seminary. He is an author, radio talk show host, and a national and international speaker on apologetics, cults, world religions, Bible, theology, and current issues. His nationally syndicated radio talk show “Evidence and Answers” is broadcast on the KTLW Network (covering the West Coast), through all of Asia (through World Harvest Radio), and on the web at evidenceandanswers.org. Before joining Probe, Pat served for twelve years as an Associate Pastor. He can be reached at pzukeran@probe.org.

What is Probe?

Probe Ministries is a non-profit ministry whose mission is to assist the church in renewing the minds of believers with a Christian worldview and to equip the church to engage the world for Christ. Probe fulfills this mission through our Mind Games conferences for youth and adults, our 3-minute daily radio program, and our extensive Web site at www.probe.org.

Further information about Probe’s materials and ministry may be obtained by contacting us at:

Probe Ministries
2001 W. Plano Parkway, Suite 2000
Plano TX 75075
(972) 941-4565

You and I have something in common and it is the song GOD’S GONNA CUT YOU DOWN. You were in the video and my post about that video entitled, People in the Johnny Cash video “God’s Gonna Cut You Down” is the most popular post I have done in recent years. It ranked #1 for all of 2015 and I have over 1,000,000 hits on my http://www.thedailyhatch.org blog site. The ironic thing is that I never knew what a big deal Johnny Cash was until he had died. I grew up in Memphis with his nephew Paul Garrett and we even went to the same school and church. Paul’s mother was Johnny Cash’s sister Margaret Louise Garrett.

Stu Carnall, an early tour manager for Johnny Cash, recalled, “Johnny’s an individualist, and he’s a loner….We’d be on the road for weeks at a time, staying at motels and hotels along the way. While the other members of the troupe would sleep in, Johnny would disappear for a few hours. When he returned, if anyone asked where he’d been, he’d answer straight faced, ‘to church.'”

Have you ever taken the time to read the words of the song?

• American singer and civil rights activist Odetta recorded a traditional version of the song. Musician Sean Michel covered the song during his audition on Season 6 of American Idol. Matchbox Twenty also used the song before playing “How Far We’ve Come” on their “Exile in America” tour.

• The New Jersey rock band The Gaslight Anthem have also covered the song.^{[citation needed]} Canadian rock band Three Days Grace has used the song in the opening of their live shows, as well as the rock band Staind . Bobbie Gentry recorded a version as “Sermon” on her album The Delta Sweete. Guitarist Bill Leverty recorded a version for his third solo project Deep South, a tribute album of traditional songs. Tom Jones recorded an up-tempo version which appears on his 2010 album Praise & Blame. Pow woW recorded a version with the Golden Gate Quartet for their 1992 album Regagner les Plaines and performed a live version with the quartet in 2008. A cover of the song by Blues Saraceno was used for the Season 8 trailer of the TV series Dexter. Pedro Costarecorded a neo-blues version for the Discovery channel TV show Weed Country (2013). Virginia based folk rock band Carbon Leaf covered the song many times during their live shows.

• Chart positions[edit]

  Moby version: “Run On”[edit]

  Chart (1999)	Peak position
  UK Singles Chart	33

  Johnny Cash version[edit]

  Chart (2006)	Peak position
  UK Singles Chart	77

• 

• American Idol contestant ministers in Chile

  by Tristan Taylor, posted Wednesday, August 18, 2010 (5 years ago)
• SANTIAGO, Chile (BP)–Sean Michel smiled through his distinctive, foot-long beard as he slid the guitar strap over his shoulder and greeted the crowd at El Huevo nightclub with what little Spanish he knows. The former American Idol contestant and his band then erupted into the sounds of Mississippi Delta blues-rock.But unlike other musicians who played that night, the Sean Michel band sang about every person’s need for God and the salvation that comes only through faith in Jesus Christ.”We came down [to Chile] to open doors that other ministries couldn’t,” said Jay Newman, Michel’s manager. “To get in places that only a rock band could — to create a vision for new church-planting movements among the underground, disenfranchised subcultures of Chile.”The Sean Michel band recently traveled through central Chile playing more than 15 shows in bars, churches, schools and parks. The group consists of Southern Baptists Sean Michel, lead singer; Alvin Rapien, lead guitarist; Seth Atchley, bass guitarist; and Tyler Groves, drummer.”Although we’re a blues rock ‘n’ roll band, we’re an extension of the church,” Michel said. “We’re kind of like ‘musicianaries,’ if you will.”MISSIONS-MINDED MUSICIANSThe band formed after Michel and Newman met as students at Ouachita Baptist University in Arkadelphia, Ark. While there, the two began recording and selling Michel’s music as a way to raise money for mission trips to Africa and Asia.”We were just trying to raise money for a mission trip, but we’d also seen God speaking to people through the music,” Michel said. “So we were like, ‘Well, maybe we need to do something with this,’ and we became a music ministry. But it’s always been rooted in missions and … in the Great Commission.”Michel graduated from Ouachita in 2001, Newman in 2004. In 2007, Newman talked Michel into auditioning for American Idol. The exposure Michel received through the television show gained a wider audience for their ministry.”The whole American Idol thing was so weird,” Michel said. “We just kind of went on a whim. But the Lord used it in a big way.”During his tryout, Michel belted out a soulful rendition of Johnny Cash’s “God’s Gonna Cut You Down.” The video of the audition went viral on the Internet.Soon he was doing radio interviews in which he identified himself as a Christian and directed listeners to the band’s Gospel-laden MySpace page. On their next mission trip to Asia, Michel and Newman found that being recognizable gave them access to venues they couldn’t have entered before.The band is now an official extension of First Southern Baptist Church of Bryant, Ark., where the musicians have long been active members serving in the music and youth ministries. Every mission trip they have taken has involved working with International Mission Board (IMB) missionaries.”We’re Southern Baptist,” Michel said. “That’s who we roll with.”TOUR DE FAITH”With short-term mission trips, you can plan, but you just got to be willing for your plans to change,” said Michel. When the band arrived in Chile, they were surprised to find that their schedule wasn’t nearly as full as expected. Almost no public venues had booked shows, and many rock-wary churches had declined to host the band.”The biggest barrier we had was the pastors,” said Cliff Case, an IMB missionary in Santiago, Chile, and a 1984 graduate of Ouachita Baptist. “The older pastors on two or three different occasions gave excuses for not doing it. It was a real frustration in that sense.”Disappointed by the lack of interest, the band prayed for God’s help. They met Jose Campos — or Pépe, as the band came to know him. Campos works with music and youth for the Ministry of the Down and Out, an independent Christian ministry that seeks to reach the often-overlooked demographics of Santiago.Campos was able to use his connections to book shows for the band in venues they wouldn’t have known about otherwise.

  “Had we met Pépe (Campos) two or three weeks before the group came, there’s no telling how many shows we might have done,” said Case, who met Newman at Ouachita when Case and his wife, Cinthy, were missionaries-in-residence there.

  Campos booked the show at El Huevo, possibly Chile’s most popular club. Playing there has given the band musical credibility among Chilean rockers. And, one Chilean church reported that a youth accepted Christ after hearing Newman talk before a show. The band already is contemplating a return tour next year.

  OPENING NEW DOORS

  Sharing the Gospel through their songs is only the beginning for the Sean Michel band. Their vision is to be a catalyst to help churches — and missionaries — connect with the lost people of their communities.

  “God is not saving the world through rock bands,” Michel said. “He’s saving the world through the church. And it will always be through the local body.”

  The band wants to see churches take ministry beyond the church doors.

  “If you’re going to want to legitimately reach lost people, you’re going to have to get out,” Michel said. “Go out into the dark places. Those are the places we need to be to reach out.”

  The band’s ministry in Chile opened new doors for IMB missionaries to reach the young, musical subculture of Chilean society.

  “They laid the groundwork for more opportunities,” Case said. “Now we have a network of who to talk to and how to get organized. We can focus on how to use the work they’re doing so we can win people to the Lord and plant some churches.”

  ---

  Tristan Taylor is an International Mission Board writer living in the Americas.

Having shown work at New York’s MoMA PS1 and Amsterdam’s Foam museum, Daniel Gordon is know for the vibrant and often-perplexing documentation of his working practice. Here, a new film by Art21, known for its flagship PBS series Art in the Twenty-First Century, which this season will be hosted by actress Claire Danes, takes us into Gordon’s studio—a door away from where his artist wife works. Read more on NOWNESS – http://bit.ly/2a4IFnG
___

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Daniel Gordon (artist)

From Wikipedia, the free encyclopedia

Daniel Gordon (born 1980 in Boston, Mass.) is an American artist who lives and works in Brooklyn, New York.

Contents

[hide]

• 1Life and work
• 2Education
• 3Images
• 4External links
• 5References

Life and work[edit]

Gordon is best known for producing large color photographs that operate somewhere between collage and set-up photography. His work, as described by the New York Times, “Involves creating figurative tableaus from cut paper and cut-out images that Mr. Gordon then photographs. In addition, he seems motivated by a deeply felt obsession with the human body and the discomforts of having one.”^[1]

He has exhibited his work in solo exhibitions at Zach Feuer Gallery,^[2] Wallspace,^[3] and Leo Koenig, Inc., Projekte^[4] in New York City and Claudia Groeflin Gallery in Zürich, Switzerland.^[5] Gordon has been included in exhibitions at the Museum of Modern Art,^[6] the Saatchi Gallery^[7] in London, Gallery 400 at the University of Illinois, and he was included in MoMA PS1‘s^[8] Greater New York 2010. He is the author of Portrait Studio (onestar press, 2009)^[9] and Flying Pictures (powerHouse books, 2009).^[10] His work is in the collection of the Museum of Modern Art,^[11] New York. Gordon was a guest lecturer at Sarah Lawrence College in 2009.

Education[edit]

• 2004-2006 Yale School of Art, Master of Fine Arts, New Haven, CT
• 1999-2004 Bard College, Annandale-on-Hudson, NY

Images[edit]

• Nude Portrait. 2008
• Red Headed Woman. 2008

External links[edit]

• Daniel Gordon – Website
• Daniel Gordon – Triple Canopy
• New York Close Up – Art21 made a short film about Daniel Gordon in 2013

References[edit]

1. Jump up^ Roberta Smith, Daniel Gordon: A World of Scissors and Paper That’s Captured in Photographs, The New York Times, June 30, 2007
2. Jump up^ Zach Feuer Gallery, NYC
3. Jump up^ Wallspace, NYC
4. Jump up^ Leo Koenig, Inc., Projekte
5. Jump up^ Claudia Groeflin Gallery, Zurich
6. Jump up^ Vince Aletti, Critics Notebook, The New Yorker, November 2, 2009
7. Jump up^ Saatchi Gallery, London
8. Jump up^ MoMA PS1
9. Jump up^ onestar press, Paris
10. Jump up^ powerHouse Books
11. Jump up^ Museum of Modern Art, New York

Categories:

• American contemporary artists
• 1980 births
• Living people
• American photographers

___

• Related posts:

• Johnny Cash (Part 4)

  December 26, 2011 – 12:59 am

  I got to hear Johnny Cash sing in person back in 1978.  Here is a portion of an article about his Christian Testimony. The Man Came Around   “Being a Christian isn’t for sissies,” Cash said once. “It takes a real man to live for God—a lot more man than to live for the devil, […]

  By Everette Hatcher III | Posted in Current Events | Tagged american iii solitary man, autonomic neuropathy, christian testimony, fellow rebel, nerve endings | Edit | Comments (0)

• Johnny Cash a Christian?

  May 23, 2012 – 10:32 am

  I got to see Johnny Cash perform in Memphis in 1978 and I actually knew his nephew very well. He was an outspoken Christian and evangelical. Here is an article that discusses this. Johnny Cash’s Complicated Faith Dave Urbanski <!– var fbShare = { google_analytics: ‘true’, } tweetmeme_source = ‘RELEVANTMag’; –> Unwrapping the enigma of […]

  By Everette Hatcher III | Posted in Current Events | Edit | Comments (0)

  Johnny Cash (Part 3)

  December 23, 2011 – 12:57 am

  I got to hear Johnny Cash sing in person back in 1978.  Here is a portion of an article about his Christian Testimony. The Man Came Around   A Walking Contradiction Cash’s daughter, singer-songwriter Rosanne Cash, once pointed out that “my father was raised a Baptist, but he has the soul of a mystic. He’s […]

  By Everette Hatcher III | Posted in Current Events | Tagged christian testimony, prayer of thanksgiving, seven deadly sins, spiritual element, walking contradiction | Edit | Comments (0)

  Johnny Cash (Part 2)

  December 22, 2011 – 12:55 am

  I got to hear Johnny Cash sing in person back in 1978 at a Billy Graham Crusade in Memphis. Here is a portion of an article about his Christian Testimony. The Man Came Around Cash also made major headlines when he shared his faith on The Johnny Cash Show, a popular variety program on ABC […]

  By Everette Hatcher III | Posted in Current Events | Tagged billy graham crusade, christian testimony, evangelist billy graham, folsom prison blues, kris kristofferson | Edit | Comments (0)

  Johnny Cash (Part 1)

  December 21, 2011 – 12:51 am

  I got to hear Johnny Cash sing in person back in 1978. Here is a portion of an article about his Christian Testimony. The Man Came Around Johnny Cash was not ashamed of his Christian faith—though it was sometimes a messy faith—and even got some encouragement from Billy Graham along the way. Dave Urbanski | […]

  By Everette Hatcher III | Posted in Current Events | Tagged conservative bible, dave urbanski, jesus of nazareth, nickel and dime, true vine | Edit | Comments (0)

• People in the Johnny Cash video “God’s Gonna Cut You Down”

  May 11, 2012 – 12:10 pm

  Wikipedia noted: Johnny Cash recorded a version of “God’s Gonna Cut You Down” on American V: A Hundred Highways in 2003, with an arrangement quite different from most known gospel versions of the song. A music video, directed by Tony Kaye,[1] was made for this version in late 2006. It featured a number of celebrities, […]

  By Everette Hatcher III | Posted in Current Events | Tagged Amy Lee, chris martin | Edit | Comments (0)

____

—

—

—-

3-9-16

To Travis Barker, From Everette Hatcher of Little Rock, AR

You and I have something in common and it is the song GOD’S GONNA CUT YOU DOWN. You were in the video and my post about that video entitled, People in the Johnny Cash video “God’s Gonna Cut You Down” is the most popular post I have done in recent years. It ranked #1 for all of 2015 and I have over 1,000,000 hits on my http://www.thedailyhatch.org blog site. The ironic thing is that I never knew what a big deal Johnny Cash was until he had died. I grew up in Memphis with his nephew Paul Garrett and we even went to the same school and church. Paul’s mother was Johnny Cash’s sister Margaret Louise Garrett.

Stu Carnall, an early tour manager for Johnny Cash, recalled, “Johnny’s an individualist, and he’s a loner….We’d be on the road for weeks at a time, staying at motels and hotels along the way. While the other members of the troupe would sleep in, Johnny would disappear for a few hours. When he returned, if anyone asked where he’d been, he’d answer straight faced, ‘to church.’”

Have you ever taken the time to read the words of the song?

________________

Johnny Cash – God’s Gonna Cut You Down

Johnny Cash’s version of the traditional God’s Gonna Cut You Down, from the album “American V: A Hundred Highways”, was released as a music video on November 9 2006, just over three years after Cash died. Producer Rick Rubin opens the music video, saying, “You know, Johnny always wore black. He wore black because he identified with the poor and the downtrodden…”. What follows is a collection of black and white clips of well known pop artists wearing black, each interacting with the song in their own way. Some use religious imagery. Howard sits in his limo reading from Ezekiel 34, a Biblical passage warning about impending judgment for false shepherd. Bono leaning on a graffiti-filled wall between angel’s wings and a halo, pointing to the words, “Sinners Make The Best Saints. J.C. R.I.P.” A number of artists wear or hold crosses.

Artists appear in this order: Rick Rubin, Iggy Pop, Kanye West, Chris Martin, Kris Kristofferson, Patti Smith, Terence Howard, Flea (Red Hot Chili Peppers), Q-Tip, Adam Levine (Maroon 5), Chris Rock, Justin Timberlake, Kate Moss, Sir Peter Blake (Sgt Peppers Artist), Sheryl Crow, Denis Hopper, Woody Harrelson, Amy Lee of Evanescence, Tommy Lee, Natalie Maines, Emily Robison, Martie Maguire (Dixie Chicks), Mick Jones, Sharon Stone, Bono, Shelby Lynne, Anthony Kiedis, Travis Barker, Lisa Marie Presley, Kid Rock, Jay Z, Keith Richards, Billy Gibbons, Corinne Bailey Rae, Johnny Depp, Graham Nash, Brian Wilson, Rick Rubin and Owen Wilson. The video finishes with Rick Rubin traveling to a seaside cliff with friend Owen Wilson to throw a bouquet of flowers up in the air.

• American singer and civil rights activist Odetta recorded a traditional version of the song. Musician Sean Michel covered the song during his audition on Season 6 of American Idol. Matchbox Twenty also used the song before playing “How Far We’ve Come” on their “Exile in America” tour.

• The New Jersey rock band The Gaslight Anthem have also covered the song.^{[citation needed]} Canadian rock band Three Days Grace has used the song in the opening of their live shows, as well as the rock band Staind . Bobbie Gentry recorded a version as “Sermon” on her album The Delta Sweete. Guitarist Bill Leverty recorded a version for his third solo project Deep South, a tribute album of traditional songs. Tom Jones recorded an up-tempo version which appears on his 2010 album Praise & Blame. Pow woW recorded a version with the Golden Gate Quartet for their 1992 album Regagner les Plaines and performed a live version with the quartet in 2008. A cover of the song by Blues Saraceno was used for the Season 8 trailer of the TV series Dexter. Pedro Costarecorded a neo-blues version for the Discovery channel TV show Weed Country (2013). Virginia based folk rock band Carbon Leaf covered the song many times during their live shows.

• Chart positions[edit]

  Moby version: “Run On”[edit]

  Chart (1999)	Peak position
  UK Singles Chart	33

  Johnny Cash version[edit]

  Chart (2006)	Peak position
  UK Singles Chart	77

• 

• American Idol contestant ministers in Chile

  by Tristan Taylor, posted Wednesday, August 18, 2010 (5 years ago)
• SANTIAGO, Chile (BP)–Sean Michel smiled through his distinctive, foot-long beard as he slid the guitar strap over his shoulder and greeted the crowd at El Huevo nightclub with what little Spanish he knows. The former American Idol contestant and his band then erupted into the sounds of Mississippi Delta blues-rock.But unlike other musicians who played that night, the Sean Michel band sang about every person’s need for God and the salvation that comes only through faith in Jesus Christ.”We came down [to Chile] to open doors that other ministries couldn’t,” said Jay Newman, Michel’s manager. “To get in places that only a rock band could — to create a vision for new church-planting movements among the underground, disenfranchised subcultures of Chile.”The Sean Michel band recently traveled through central Chile playing more than 15 shows in bars, churches, schools and parks. The group consists of Southern Baptists Sean Michel, lead singer; Alvin Rapien, lead guitarist; Seth Atchley, bass guitarist; and Tyler Groves, drummer.”Although we’re a blues rock ‘n’ roll band, we’re an extension of the church,” Michel said. “We’re kind of like ‘musicianaries,’ if you will.”MISSIONS-MINDED MUSICIANSThe band formed after Michel and Newman met as students at Ouachita Baptist University in Arkadelphia, Ark. While there, the two began recording and selling Michel’s music as a way to raise money for mission trips to Africa and Asia.”We were just trying to raise money for a mission trip, but we’d also seen God speaking to people through the music,” Michel said. “So we were like, ‘Well, maybe we need to do something with this,’ and we became a music ministry. But it’s always been rooted in missions and … in the Great Commission.”Michel graduated from Ouachita in 2001, Newman in 2004. In 2007, Newman talked Michel into auditioning for American Idol. The exposure Michel received through the television show gained a wider audience for their ministry.”The whole American Idol thing was so weird,” Michel said. “We just kind of went on a whim. But the Lord used it in a big way.”During his tryout, Michel belted out a soulful rendition of Johnny Cash’s “God’s Gonna Cut You Down.” The video of the audition went viral on the Internet.Soon he was doing radio interviews in which he identified himself as a Christian and directed listeners to the band’s Gospel-laden MySpace page. On their next mission trip to Asia, Michel and Newman found that being recognizable gave them access to venues they couldn’t have entered before.The band is now an official extension of First Southern Baptist Church of Bryant, Ark., where the musicians have long been active members serving in the music and youth ministries. Every mission trip they have taken has involved working with International Mission Board (IMB) missionaries.”We’re Southern Baptist,” Michel said. “That’s who we roll with.”TOUR DE FAITH”With short-term mission trips, you can plan, but you just got to be willing for your plans to change,” said Michel. When the band arrived in Chile, they were surprised to find that their schedule wasn’t nearly as full as expected. Almost no public venues had booked shows, and many rock-wary churches had declined to host the band.”The biggest barrier we had was the pastors,” said Cliff Case, an IMB missionary in Santiago, Chile, and a 1984 graduate of Ouachita Baptist. “The older pastors on two or three different occasions gave excuses for not doing it. It was a real frustration in that sense.”Disappointed by the lack of interest, the band prayed for God’s help. They met Jose Campos — or Pépe, as the band came to know him. Campos works with music and youth for the Ministry of the Down and Out, an independent Christian ministry that seeks to reach the often-overlooked demographics of Santiago.Campos was able to use his connections to book shows for the band in venues they wouldn’t have known about otherwise.”Had we met Pépe (Campos) two or three weeks before the group came, there’s no telling how many shows we might have done,” said Case, who met Newman at Ouachita when Case and his wife, Cinthy, were missionaries-in-residence there.Campos booked the show at El Huevo, possibly Chile’s most popular club. Playing there has given the band musical credibility among Chilean rockers. And, one Chilean church reported that a youth accepted Christ after hearing Newman talk before a show. The band already is contemplating a return tour next year.

  OPENING NEW DOORS

  Sharing the Gospel through their songs is only the beginning for the Sean Michel band. Their vision is to be a catalyst to help churches — and missionaries — connect with the lost people of their communities.

  “God is not saving the world through rock bands,” Michel said. “He’s saving the world through the church. And it will always be through the local body.”

  The band wants to see churches take ministry beyond the church doors.

  “If you’re going to want to legitimately reach lost people, you’re going to have to get out,” Michel said. “Go out into the dark places. Those are the places we need to be to reach out.”

  The band’s ministry in Chile opened new doors for IMB missionaries to reach the young, musical subculture of Chilean society.

  “They laid the groundwork for more opportunities,” Case said. “Now we have a network of who to talk to and how to get organized. We can focus on how to use the work they’re doing so we can win people to the Lord and plant some churches.”

  ---

  Tristan Taylor is an International Mission Board writer living in the Americas.

Featured artist is Louise Despont

Louise Despont According to the Universe | ART21 “New York Close Up”

Published on Nov 13, 2015

What is the source of inspiration?

Filmed in her Tribeca studio, Louise Despont peruses a vast reference library of images she began collecting in high school and maintains to this day. Drawn to geometry, energy waves, and universal symbols, Despont’s interests reveal a fascination with underlying patterns and cosmological draughtsmen: Rudolf Steiner, Carl Jung, Agnes Martin, Charles Burchfield, Martin Ramirez, Achilles G. Rizzoli, Adolf Wölfli, Hilma af Klint, Theosophy, Buddhist medical charts, Shaker gift drawings, seismographs, echolocation, mandalas, yantras, Tantric drawings, maps, gardens, fasciation in plants, beehives, kilim, ikat, Jantar Mantar, and masks. “What’s so interesting about the creative act is that you can access something completely outside yourself,” says Despont, who makes a distinction between consciously referencing subject matter in her artwork versus communing with a sense of unconscious awareness. “If you offer yourself up as the hands to make the work the relationship you form with what you communicate with has its own voice.” Featuring Despont’s drawings included in the exhibitions “Harmonic Tremor” (2015) at Nicelle Beauchene and “The Six-Sided Force” (2014) at Pioneer Works, as well as scenes from her stop-motion animation “Experiments in Moving Drawings, Parts I & II” (2007).

Louise Despont (b. 1983, New York, New York, USA) lives and works between New York and Bali, Indonesia. Learn more about the artist at: http://www.art21.org/newyorkcloseup/a…

CREDITS | ART21 “New York Close Up” Created & Produced by: Wesley Miller & Nick Ravich. Director: Wesley Miller. Editor: Brad Kimbrough. Cinematography: John Marton, Wesley Miller & Andrew Whitlatch. Sound: Wesley Miller. Design & Graphics: Open. Music: Jared C. Balogh. Thanks: Nicelle Beauchene, Catherine Despont, Thierry Despont, Gabriel Florenz, Pioneer Works, Inae Rurup & Dustin Yellen. An ART21 Workshop Production. © ART21, Inc. 2015. All rights reserved.

ART21 “New York Close Up” is supported, in part, by The Lambent Foundation; the New York City Department of Cultural Affairs in partnership with the City Council; The Andy Warhol Foundation for the Visual Arts; and by individual contributors.

Louise Despont

Louise Despont was born in 1983 in New York; she lives and works in New York and in Bali, Indonesia. Since discovering the potential of working with pencil and architectural stencils on paper, Despont has adopted an intuitive process in which she allows her drawings to develop as she creates them, resulting in an almost devotional object comprised of dense colors and shapes.

Preferring to draw on ledger paper with preexisting lines, Despont sees a parallel between the mathematical accounting the paper was designed to organize and the way that her practice is an accounting of her time spent. Even when Despont creates large-scale installations—such as for her 2016 solo exhibition at the Drawing Center, New York—her practice remains personally labor intensive. Having collected images for many years, Despont complements her broad visual references with her interest in energy and spirituality.

• Related posts:

• Johnny Cash (Part 4)

  December 26, 2011 – 12:59 am

  I got to hear Johnny Cash sing in person back in 1978.  Here is a portion of an article about his Christian Testimony. The Man Came Around   “Being a Christian isn’t for sissies,” Cash said once. “It takes a real man to live for God—a lot more man than to live for the devil, […]

  By Everette Hatcher III | Posted in Current Events | Tagged american iii solitary man, autonomic neuropathy, christian testimony, fellow rebel, nerve endings | Edit | Comments (0)

• Johnny Cash a Christian?

  May 23, 2012 – 10:32 am

  I got to see Johnny Cash perform in Memphis in 1978 and I actually knew his nephew very well. He was an outspoken Christian and evangelical. Here is an article that discusses this. Johnny Cash’s Complicated Faith Dave Urbanski <!– var fbShare = { google_analytics: ‘true’, } tweetmeme_source = ‘RELEVANTMag’; –> Unwrapping the enigma of […]

  By Everette Hatcher III | Posted in Current Events | Edit | Comments (0)

  Johnny Cash (Part 3)

  December 23, 2011 – 12:57 am

  I got to hear Johnny Cash sing in person back in 1978.  Here is a portion of an article about his Christian Testimony. The Man Came Around   A Walking Contradiction Cash’s daughter, singer-songwriter Rosanne Cash, once pointed out that “my father was raised a Baptist, but he has the soul of a mystic. He’s […]

  By Everette Hatcher III | Posted in Current Events | Tagged christian testimony, prayer of thanksgiving, seven deadly sins, spiritual element, walking contradiction | Edit | Comments (0)

  Johnny Cash (Part 2)

  December 22, 2011 – 12:55 am

  I got to hear Johnny Cash sing in person back in 1978 at a Billy Graham Crusade in Memphis. Here is a portion of an article about his Christian Testimony. The Man Came Around Cash also made major headlines when he shared his faith on The Johnny Cash Show, a popular variety program on ABC […]

  By Everette Hatcher III | Posted in Current Events | Tagged billy graham crusade, christian testimony, evangelist billy graham, folsom prison blues, kris kristofferson | Edit | Comments (0)

  Johnny Cash (Part 1)

  December 21, 2011 – 12:51 am

  I got to hear Johnny Cash sing in person back in 1978. Here is a portion of an article about his Christian Testimony. The Man Came Around Johnny Cash was not ashamed of his Christian faith—though it was sometimes a messy faith—and even got some encouragement from Billy Graham along the way. Dave Urbanski | […]

  By Everette Hatcher III | Posted in Current Events | Tagged conservative bible, dave urbanski, jesus of nazareth, nickel and dime, true vine | Edit | Comments (0)

• People in the Johnny Cash video “God’s Gonna Cut You Down”

  May 11, 2012 – 12:10 pm

  Wikipedia noted: Johnny Cash recorded a version of “God’s Gonna Cut You Down” on American V: A Hundred Highways in 2003, with an arrangement quite different from most known gospel versions of the song. A music video, directed by Tony Kaye,[1] was made for this version in late 2006. It featured a number of celebrities, […]

  By Everette Hatcher III | Posted in Current Events | Tagged Amy Lee, chris martin | Edit | Comments (0)